|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:awards
|
gptkb:Academy_Award_nomination
|
|
gptkbp:based_on
|
gptkb:novel
book by Robert Traver
Novel by John D. Voelker
|
|
gptkbp:box_office
|
gptkb:$8_million
|
|
gptkbp:budget
|
$1.5 million
$2 million
|
|
gptkbp:cast
|
gptkb:Kathryn_Grant
gptkb:Eve_Arden
gptkb:George_C._Scott
gptkb:Lee_Remick
gptkb:Arthur_O'_Connell
gptkb:Orson_Bean
gptkb:Joe_Turkel
gptkb:Ben_Gazzara
gptkb:James_M._Stewart
|
|
gptkbp:censorship
|
Controversial for its themes
|
|
gptkbp:character
|
gptkb:Dr._Matthew_Cowley
gptkb:Judge_Weaver
gptkb:Laura_Manion
gptkb:Paul_Biegler
Officer Mc Carthy
Dr. Emerich
Mrs. Manion
D. A. Claude Dancer
Mitch Lodwick
Mrs. Biegler
|
|
gptkbp:character_arc
|
redemption
|
|
gptkbp:character_development
|
gptkb:complex
complex characters
|
|
gptkbp:cinematography
|
gptkb:Sam_Leavitt
|
|
gptkbp:cinematography_by
|
gptkb:Sam_Leavitt
|
|
gptkbp:color
|
gptkb:Black_and_White
black and white
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Positive
positive
|
|
gptkbp:cultural_impact
|
gptkb:significant
considered a classic
Influenced legal dramas
|
|
gptkbp:cultural_significance
|
explores legal ethics
|
|
gptkbp:director
|
gptkb:Otto_Preminger
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:edited_by
|
gptkb:Louis_R._Loeffler
|
|
gptkbp:editing
|
fast-paced
|
|
gptkbp:film_editing
|
gptkb:Louis_R._Loeffler
gptkb:Academy_Award_nomination
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_score
|
gptkb:Duke_Ellington
Duke Ellington's score
|
|
gptkbp:film_technique
|
gptkb:moral_ambiguity
social commentary
non-linear storytelling
narrative complexity
character motivations
psychological depth
long takes
realistic dialogue
use of flashbacks
cinematic realism
character-driven narrative
naturalistic performances
innovative use of music
|
|
gptkbp:filming_location
|
gptkb:Michigan
|
|
gptkbp:focus
|
gptkb:murder
|
|
gptkbp:genre
|
gptkb:mystery
gptkb:drama
gptkb:crime
crime drama
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Anatomy of a Murder
|
|
gptkbp:influenced
|
legal dramas
future courtroom dramas
|
|
gptkbp:influenced_by
|
real-life cases
real-life case
Real-life murder case
|
|
gptkbp:inspiration
|
Legal ethics
numerous films and TV shows
|
|
gptkbp:language
|
English
|
|
gptkbp:language_spoken
|
sharp
|
|
gptkbp:legacy
|
remains relevant today
influential film
|
|
gptkbp:music_by
|
gptkb:Duke_Ellington
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:notable_actor
|
Academy Award nomination for James Stewart
|
|
gptkbp:notable_for
|
courtroom drama
|
|
gptkbp:notable_quote
|
“ The truth is not always the same as the facts.”
“ The truth is not always the same as the legal truth.”
|
|
gptkbp:notable_scene
|
courtroom scenes
cross-examinations
closing arguments
|
|
gptkbp:premiere
|
gptkb:New_York_City
|
|
gptkbp:production_company
|
gptkb:Columbia_Pictures
|
|
gptkbp:release_date
|
gptkb:1959
July 1, 2020
1959-07-01
|
|
gptkbp:release_format
|
Theatrical
theatrical
|
|
gptkbp:release_year
|
gptkb:2020
|
|
gptkbp:remake
|
gptkb:None
Anatomy of a Murder (2020)
|
|
gptkbp:runtime
|
160 minutes
161 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Perry_Mason
gptkb:Academy_Award_nomination
gptkb:John_D._Voelker
|
|
gptkbp:set_in
|
gptkb:Michigan
|
|
gptkbp:soundtrack
|
gptkb:Duke_Ellington
|
|
gptkbp:starring
|
gptkb:Lee_Remick
gptkb:Arthur_O'_Connell
gptkb:Ben_Gazzara
gptkb:James_M._Stewart
|
|
gptkbp:symbolism
|
gptkb:betrayal
gptkb:justice
love
morality
truth
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:justice
love
morality
truth
|
|
gptkbp:won_award
|
gptkb:Best_Actor
gptkb:3
Best Adapted Screenplay
Best Picture
|
|
gptkbp:bfsParent
|
gptkb:Jimmy_Stewart
gptkb:The_Queen's_Suite
gptkb:James_M._Stewart
gptkb:Blues_in_Orbit
|
|
gptkbp:bfsLayer
|
4
|