|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:aspect_ratio
|
1.85:1
|
|
gptkbp:award
|
Academy Award nomination for Best Foreign Language Film
|
|
gptkbp:awards
|
gptkb:Cannes_Film_Festival_Award_for_Best_Film
gptkb:BAFTA_Award_for_Best_Film_Not_in_the_English_Language
Academy Award nomination for Best Foreign Language Film
|
|
gptkbp:box_office
|
$20 million
|
|
gptkbp:budget
|
$2 million
|
|
gptkbp:character
|
gptkb:The_Dog
gptkb:Daniel
gptkb:Maru
gptkb:Susana
gptkb:El_Chivo
Octavio
Joaquín
Valeria
|
|
gptkbp:character_relationships
|
Daniel and Valeria
El Chivo and his daughter
Octavio and Susana
|
|
gptkbp:cinematography
|
gptkb:Rodrigo_Prieto
|
|
gptkbp:cinematography_by
|
gptkb:Rodrigo_Prieto
|
|
gptkbp:color
|
gptkb:Color
|
|
gptkbp:country
|
gptkb:Mexico
|
|
gptkbp:critical_reception
|
acclaimed
positive
|
|
gptkbp:cultural_impact
|
inspired other films
influential in Latin American cinema
|
|
gptkbp:directed_by
|
gptkb:Alejandro_González_Iñárritu
|
|
gptkbp:director
|
gptkb:Alejandro_González_Iñárritu
|
|
gptkbp:distributor
|
gptkb:Fox_Searchlight_Pictures
|
|
gptkbp:edited_by
|
gptkb:Stephen_E._Rivkin
|
|
gptkbp:editor
|
gptkb:Stephen_E._Rivkin
|
|
gptkbp:features
|
gptkb:Gael_García_Bernal
gptkb:Emilio_Echevarría
gptkb:Álvaro_Guerrero
gptkb:Vanessa_Bauche
Lourdes Echevarría
|
|
gptkbp:film_festival
|
gptkb:San_Sebastián_International_Film_Festival
gptkb:AFI_Fest
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
gptkb:New_York_Film_Festival
|
|
gptkbp:film_series
|
gptkb:The_Death_Trilogy
|
|
gptkbp:film_technique
|
realism
symbolism
emotional depth
multiple storylines
character-driven narrative
gritty aesthetic
|
|
gptkbp:filming_location
|
gptkb:Mexico_City
|
|
gptkbp:follows
|
gptkb:21_Grams
|
|
gptkbp:genre
|
gptkb:drama
gptkb:thriller
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Amores Perros
|
|
gptkbp:influence
|
Mexican cinema
independent film movement
|
|
gptkbp:influenced_by
|
gptkb:The_Motorcycle_Diaries
gptkb:Pulp_Fiction
gptkb:The_Three_Burials_of_Melquiades_Estrada
|
|
gptkbp:inspiration
|
gptkb:short_stories
|
|
gptkbp:inspired
|
Mexican cinema revival
|
|
gptkbp:language
|
gptkb:Spanish
|
|
gptkbp:main_character
|
gptkb:Daniel
Octavio
Valeria
|
|
gptkbp:music_by
|
gptkb:Gustavo_Santaolalla
|
|
gptkbp:music_composer
|
gptkb:Gustavo_Santaolalla
|
|
gptkbp:narrative
|
non-linear
|
|
gptkbp:notable_quote
|
“ Love is a dog from hell.”
|
|
gptkbp:precedes
|
gptkb:Birdman
gptkb:Babel
|
|
gptkbp:produced_by
|
gptkb:Gonzalo_García-Pelayo
|
|
gptkbp:production_company
|
gptkb:Zeta_Film
El Deseo
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_country
|
gptkb:Mexico
|
|
gptkbp:release_date
|
2000-06-16
August 16, 2000
|
|
gptkbp:released_in
|
gptkb:2000
|
|
gptkbp:runtime
|
154 minutes
|
|
gptkbp:screenings
|
Digital
35mm
|
|
gptkbp:screenplay
|
gptkb:Guillermo_Arriaga
|
|
gptkbp:screenplay_by
|
gptkb:Guillermo_Arriaga
|
|
gptkbp:set_in
|
gptkb:Mexico_City
|
|
gptkbp:setting
|
gptkb:Mexico_City
|
|
gptkbp:soundtrack
|
gptkb:Gustavo_Santaolalla
|
|
gptkbp:theme
|
gptkb:betrayal
gptkb:loyalty
love
class struggle
|
|
gptkbp:themes
|
gptkb:loss
gptkb:fate
love
redemption
violence
|
|
gptkbp:bfsParent
|
gptkb:award
|
|
gptkbp:bfsLayer
|
3
|