|
gptkbp:instance_of
|
gptkb:art_movement
|
|
gptkbp:associated_with
|
American identity
|
|
gptkbp:characterized_by
|
realism
|
|
gptkbp:criticism
|
perceived as nostalgic
limited in scope
|
|
gptkbp:declined_in
|
1950s
|
|
gptkbp:exemplifies
|
rural landscapes
Midwestern themes
urban scenes
|
|
gptkbp:exhibitions
|
gptkb:Whitney_Museum_of_American_Art
gptkb:Art_Institute_of_Chicago
|
|
gptkbp:focuses_on
|
American life
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
American Scene Painting
|
|
gptkbp:influenced_by
|
gptkb:Social_Realism
Regionalism
|
|
gptkbp:inspired_by
|
gptkb:Great_Depression
gptkb:World_War_II
|
|
gptkbp:legacy
|
influenced contemporary artists
contributed to American art history
|
|
gptkbp:notable_artists
|
gptkb:Charles_Burchfield
gptkb:Grant_Wood
gptkb:Thomas_Hart_Benton
|
|
gptkbp:notable_works
|
gptkb:The_Farmer
gptkb:American_Gothic
gptkb:The_City
The Hailstorm
The Roadside Stand
|
|
gptkbp:origin
|
gptkb:United_States
|
|
gptkbp:related_to
|
gptkb:American_Modernism
American Regionalism
|
|
gptkbp:technique
|
gptkb:oil_painting
watercolor
|
|
gptkbp:time_period
|
1930s to 1940s
|
|
gptkbp:bfsParent
|
gptkb:The_Dancer
gptkb:Edward_Hopper
gptkb:Thomas_Hart_Benton
gptkb:The_Little_Things
|
|
gptkbp:bfsLayer
|
4
|