|
gptkbp:instanceOf
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art movement
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|
gptkbp:characteristic
|
limited editions
artist involvement in printing process
original prints
focus on landscape and urban scenes
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|
gptkbp:country
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gptkb:United_States
|
|
gptkbp:declinedAfter
|
changing artistic tastes
rise of photomechanical reproduction
|
|
gptkbp:endDate
|
early 20th century
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
American Etching Revival
|
|
gptkbp:influencedBy
|
gptkb:Etching_Revival_(Europe)
|
|
gptkbp:notableArtist
|
gptkb:James_Whistler
gptkb:Robert_Swain_Gifford
gptkb:Charles_A._Platt
gptkb:Thomas_Moran
gptkb:R._Swain_Gifford
gptkb:Samuel_Colman
gptkb:Mary_Nimmo_Moran
gptkb:Stephen_Parrish
gptkb:Thomas_Hovenden
gptkb:Frederick_Dielman
gptkb:J._Henry_Hill
|
|
gptkbp:notableOrganization
|
gptkb:New_York_Etching_Club
gptkb:Society_of_American_Etchers
|
|
gptkbp:relatedTo
|
gptkb:Etching_Revival_(Europe)
|
|
gptkbp:significantEvent
|
exhibitions at National Academy of Design
founding of New York Etching Club (1877)
rise of print collecting in America
|
|
gptkbp:startDate
|
late 19th century
|
|
gptkbp:style
|
gptkb:engraver
|
|
gptkbp:bfsParent
|
gptkb:Stephen_Parrish
|
|
gptkbp:bfsLayer
|
6
|