Statements (24)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:person
|
| gptkbp:almaMater |
gptkb:University_of_Cambridge
|
| gptkbp:awardReceived |
gptkb:Berlin_Prize
gptkb:Guggenheim_Fellowship |
| gptkbp:editor |
Editor of The Oxford Handbook of Timbre
|
| gptkbp:education |
gptkb:University_of_Cambridge
|
| gptkbp:employer |
gptkb:Harvard_University
|
| gptkbp:fieldOfWork |
gptkb:music
musicologist sound studies |
| https://www.w3.org/2000/01/rdf-schema#label |
Alexander Rehding
|
| gptkbp:member |
gptkb:American_Academy_of_Arts_and_Sciences
|
| gptkbp:nationality |
gptkb:German
|
| gptkbp:notableWork |
gptkb:Beethoven's_Symphony_No._9
Alien Listening Music and Monumentality |
| gptkbp:occupation |
musicologist
|
| gptkbp:position |
Fanny Peabody Professor of Music
|
| gptkbp:researchInterest |
media archaeology
history of music theory monumentality in music tuning and temperament |
| gptkbp:bfsParent |
gptkb:Harvard_University_Department_of_Music
|
| gptkbp:bfsLayer |
7
|