|
gptkbp:instance_of
|
gptkb:fictional_character
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:theatrical_performances
gptkb:film
film and theater
Albert Nobbs (film)
|
|
gptkbp:appears_in
|
Albert Nobbs (novel)
|
|
gptkbp:audience
|
mixed reviews
|
|
gptkbp:author
|
gptkb:George_Moore
|
|
gptkbp:awards
|
gptkb:Academy_Award_nomination
Screen Actors Guild Award nomination
Academy Award nomination for Best Actress
Golden Globe nomination for Best Actress
|
|
gptkbp:based_on
|
gptkb:short_story
|
|
gptkbp:box_office
|
$1.5 million
6 million USD
11 million USD
|
|
gptkbp:budget
|
$6 million
|
|
gptkbp:cast
|
gptkb:Rodrigo_García
gptkb:Janet_Mc_Teer
|
|
gptkbp:character
|
gptkb:Hubert_Page
gptkb:Albert_Nobbs
gptkb:Mrs._Baker
gptkb:Mr._Page
gptkb:Helen
search for identity
|
|
gptkbp:character_arc
|
gptkb:transformation
|
|
gptkbp:character_development
|
gptkb:complex
|
|
gptkbp:character_motivation
|
desire for acceptance
|
|
gptkbp:character_relationships
|
interpersonal dynamics
societal acceptance
|
|
gptkbp:character_traits
|
resilience
|
|
gptkbp:cinematography
|
gptkb:Michael_Mc_Donough
|
|
gptkbp:cinematography_by
|
gptkb:Michael_Mc_Donough
|
|
gptkbp:class
|
working class
|
|
gptkbp:conflict
|
gptkb:social_class
identity crisis
tragic ending
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:created_by
|
gptkb:George_Moore
|
|
gptkbp:critical_reception
|
positive
mixed reviews
|
|
gptkbp:cultural_identity
|
self vs societal expectations
|
|
gptkbp:cultural_impact
|
representation of women in film
exploration of Victorian society
discussion on gender identity
discussions on transgender issues
|
|
gptkbp:cultural_significance
|
representation of women
|
|
gptkbp:depicts
|
social issues
|
|
gptkbp:directed_by
|
gptkb:Rodrigo_García
|
|
gptkbp:distributor
|
gptkb:Roadside_Attractions
|
|
gptkbp:edited_by
|
gptkb:Jill_Savitt
|
|
gptkbp:explores
|
class disparity
|
|
gptkbp:explores_themes
|
loneliness and isolation
|
|
gptkbp:features
|
LGBTQ themes
|
|
gptkbp:film
|
gptkb:Dublin
gptkb:Glenn_Close
English
|
|
gptkbp:film_awards
|
gptkb:Academy_Award_nomination
|
|
gptkbp:film_editing
|
gptkb:2011
|
|
gptkbp:film_festival
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:film_length
|
113 minutes
|
|
gptkbp:film_technique
|
discussion of gender roles
|
|
gptkbp:filming_location
|
gptkb:Canada
gptkb:Ireland
|
|
gptkbp:first_edition
|
1927 edition
|
|
gptkbp:gender
|
gptkb:Female
|
|
gptkbp:genre
|
gptkb:Brian_Byrne
gptkb:Fiction
gptkb:drama
gptkb:historical_fiction
|
|
gptkbp:has_adaptation
|
gptkb:theater_productions
|
|
gptkbp:has_culture
|
Irish societal norms
|
|
gptkbp:historical_context
|
Irish history
Dublin in the 1800s
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Albert Nobbs
|
|
gptkbp:influenced_artists
|
gender and identity narratives
|
|
gptkbp:influenced_by
|
gptkb:The_Ballad_of_Albert_Nobbs
gptkb:The_Secret_Life_of_Albert_Nobbs
gptkb:The_Portrait_of_a_Lady
Irish society
George Moore's works
The Irish Times article
|
|
gptkbp:influences
|
gptkb:James_Joyce
gender studies
|
|
gptkbp:inspiration
|
real-life experiences
|
|
gptkbp:is_motivated_by
|
financial security
|
|
gptkbp:is_symbolic_of
|
gender identity struggle
|
|
gptkbp:isbn
|
978-1-84749-080-0
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
influential in LGBTQ cinema
|
|
gptkbp:literary_movement
|
gptkb:Modernism
|
|
gptkbp:literary_significance
|
exploration of identity
|
|
gptkbp:main_character
|
gptkb:Albert_Nobbs
|
|
gptkbp:motif
|
gptkb:mask
|
|
gptkbp:music_by
|
gptkb:Brian_Byrne
|
|
gptkbp:narrative
|
first-person
internal vs external identity
|
|
gptkbp:narrative_style
|
realism
third-person
character study
|
|
gptkbp:narrative_theme
|
gptkb:cultural_identity
loneliness
class struggle
identity and disguise
|
|
gptkbp:notable_work
|
A Story of the Irish in Paris
|
|
gptkbp:occupation
|
gptkb:American_football_coach
|
|
gptkbp:page_count
|
192
|
|
gptkbp:portrayed_by
|
gptkb:Glenn_Close
|
|
gptkbp:portrayed_in
|
multiple adaptations
|
|
gptkbp:premiered_on
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Bob_Cooper
gptkb:Glenn_Close
gptkb:Michele_D'_Acosta
|
|
gptkbp:production_company
|
gptkb:Sierra/_Affinity
gptkb:Lionsgate
|
|
gptkbp:protagonist
|
gptkb:American_football_coach
|
|
gptkbp:published_in
|
gptkb:1927
1918
|
|
gptkbp:publisher
|
gptkb:Hodder_&_Stoughton
|
|
gptkbp:related_to
|
gptkb:The_Irish_Literary_Revival
|
|
gptkbp:relationship
|
Helen Dawes
|
|
gptkbp:release_date
|
December 21, 2011
|
|
gptkbp:release_year
|
gptkb:2011
December 2011
|
|
gptkbp:released
|
gptkb:2011
|
|
gptkbp:runtime
|
113 minutes
|
|
gptkbp:set_in
|
gptkb:Ireland
19th century Ireland
19th Century Ireland
|
|
gptkbp:setting
|
gptkb:Dublin
gptkb:Ireland
|
|
gptkbp:starring
|
gptkb:Mia_Wasikowska
gptkb:Glenn_Close
gptkb:Janet_Mc_Teer
|
|
gptkbp:struggles_with
|
self-acceptance
|
|
gptkbp:symbolism
|
gptkb:identity
gender nonconformity
|
|
gptkbp:symbolizes
|
the struggle for autonomy
gender fluidity
|
|
gptkbp:thematic_element
|
class and gender dynamics
|
|
gptkbp:theme
|
gptkb:cultural_identity
gender roles
|
|
gptkbp:themes
|
identity and survival
|
|
gptkbp:time_period
|
gptkb:Victorian_era
|
|
gptkbp:writer
|
gptkb:Gabriella_Prekop
|
|
gptkbp:writings
|
identity exploration
|
|
gptkbp:written_by
|
gptkb:Gabrielle_Preissman
gptkb:George_Moore
|
|
gptkbp:year
|
gptkb:19th_century
|
|
gptkbp:bfsParent
|
gptkb:Glenn_Close
gptkb:Margaret
|
|
gptkbp:bfsLayer
|
4
|