|
gptkbp:instance_of
|
gptkb:Film_Director
gptkb:Producer
gptkb:Screenwriter
|
|
gptkbp:active_years_end
|
gptkb:1997
|
|
gptkbp:active_years_start
|
gptkb:1955
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|
gptkbp:awards
|
gptkb:Directors_Guild_of_America_Award
gptkb:BAFTA_Award_for_Best_Film
gptkb:Academy_Award_for_Best_Adapted_Screenplay
|
|
gptkbp:birth_date
|
April 7, 1928
|
|
gptkbp:birth_place
|
gptkb:The_Bronx
|
|
gptkbp:burial_place
|
gptkb:Cemetery_of_the_Holy_Rood
|
|
gptkbp:children
|
Jesse Pakula
|
|
gptkbp:collaborated_with
|
gptkb:Meryl_Streep
gptkb:Dustin_Hoffman
gptkb:Robert_Redford
|
|
gptkbp:death_date
|
January 19, 1998
|
|
gptkbp:death_place
|
gptkb:Manhattan
|
|
gptkbp:education
|
gptkb:Yale_University
|
|
gptkbp:film
|
gptkb:The_Devil's_Own
|
|
gptkbp:film_debut
|
gptkb:The_Group
|
|
gptkbp:film_technique
|
gptkb:moral_ambiguity
gptkb:political_intrigue
social commentary
narrative complexity
visual storytelling
complex characters
realistic dialogue
psychological tension
thematic depth
character-driven narratives
suspenseful storytelling
cynical outlook
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Alan J. Pakula
|
|
gptkbp:influenced
|
gptkb:Martin_Scorsese
gptkb:Steven_Soderbergh
gptkb:David_Fincher
|
|
gptkbp:influenced_by
|
gptkb:Alfred_Hitchcock
|
|
gptkbp:known_for
|
political dramas
thriller films
psychological dramas
|
|
gptkbp:nationality
|
gptkb:American
|
|
gptkbp:notable_work
|
gptkb:All_the_President's_Men
gptkb:Sophie's_Choice
gptkb:The_Parallax_View
|
|
gptkbp:occupation
|
gptkb:Film_Director
gptkb:Screenwriter
|
|
gptkbp:spouse
|
gptkb:Emily_Mann
|
|
gptkbp:bfsParent
|
gptkb:Liza_Minnelli
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gptkbp:bfsLayer
|
3
|