|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:radio_station
gptkb:film
|
|
gptkbp:adaptation_year
|
gptkb:1980
|
|
gptkbp:author
|
gptkb:Jean_Rhys
|
|
gptkbp:cast
|
gptkb:Martha_Fiennes
gptkb:Kristin_Scott_Thomas
|
|
gptkbp:character_arc
|
tragic
|
|
gptkbp:character_development
|
gptkb:complex
|
|
gptkbp:conflict
|
external
internal
|
|
gptkbp:critical_analysis
|
feminist readings
post-colonial readings
psychological readings
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_aspect
|
post-war Britain
|
|
gptkbp:followed_by
|
gptkb:Good_Morning,_Midnight
|
|
gptkbp:genre
|
gptkb:Fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
After Leaving Mr. Mackenzie
|
|
gptkbp:influence_on
|
subsequent authors
|
|
gptkbp:influenced_by
|
gptkb:D._H._Lawrence
gptkb:modernism
gptkb:Henry_James
gptkb:James_Joyce
gptkb:Marcel_Proust
gptkb:T._S._Eliot
|
|
gptkbp:influences
|
gptkb:Virginia_Woolf
|
|
gptkbp:inspiration
|
personal experiences of the author
|
|
gptkbp:isbn
|
978-1844080804
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_significance
|
exploration of women's issues
|
|
gptkbp:main_character
|
gptkb:Julia_Martin
|
|
gptkbp:motif
|
gptkb:displacement
gptkb:loss
gptkb:memory
|
|
gptkbp:narrative
|
first-person
|
|
gptkbp:narrative_style
|
stream of consciousness
|
|
gptkbp:page_count
|
224
|
|
gptkbp:preceded_by
|
gptkb:Quartet
|
|
gptkbp:protagonist
|
gptkb:Female
|
|
gptkbp:published_by
|
gptkb:Victor_Gollancz_Ltd.
|
|
gptkbp:published_in
|
1931
|
|
gptkbp:reader_demographic
|
varied interpretations
|
|
gptkbp:setting
|
gptkb:London
|
|
gptkbp:style
|
lyrical
|
|
gptkbp:symbolism
|
the sea
the city
|
|
gptkbp:theme
|
gptkb:identity
gptkb:feminism
isolation
|
|
gptkbp:writer
|
gptkb:Jean_Rhys
|
|
gptkbp:year
|
1920s
|
|
gptkbp:bfsParent
|
gptkb:Jean_Rhys
|
|
gptkbp:bfsLayer
|
5
|