Statements (51)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
novel
|
| gptkbp:adaptation |
theatrical performance
radio play |
| gptkbp:artMovement |
psychological depth
exploration of women's issues |
| gptkbp:author |
gptkb:Jean_Rhys
|
| gptkbp:character |
gptkb:Julia_Martin
the narrator the lover the friend Mr._Mackenzie |
| gptkbp:characterDevelopment |
Julia's_struggles
|
| gptkbp:conflict |
internal conflict
social conflict |
| gptkbp:country |
gptkb:United_Kingdom
|
| gptkbp:criticalReception |
mixed reviews
|
| gptkbp:culturalHeritage |
modernist movement
post-World_War_I_era |
| gptkbp:followedBy |
Good Morning, Midnight
|
| gptkbp:genre |
fiction
|
| https://www.w3.org/2000/01/rdf-schema#label |
After Leaving Mr. Mackenzie
|
| gptkbp:impact |
influenced later authors
studied in literature courses |
| gptkbp:influenceOn |
feminist literature
postcolonial literature |
| gptkbp:influences |
gptkb:James_Joyce
gptkb:Virginia_Woolf modernist literature |
| gptkbp:inspiration |
personal experiences
autobiographical elements |
| gptkbp:ISBN |
978-1844080803
|
| gptkbp:language |
English
|
| gptkbp:mainCharacter |
gptkb:Julia_Martin
|
| gptkbp:motif |
displacement
loss memory |
| gptkbp:narrativeStyle |
stream of consciousness
|
| gptkbp:pageCount |
224
|
| gptkbp:precededBy |
Quartet
|
| gptkbp:publishedBy |
1931
|
| gptkbp:publisher |
Victor Gollancz Ltd.
|
| gptkbp:setting |
gptkb:London
early 20th century |
| gptkbp:style |
lyrical prose
introspective fragmented narrative |
| gptkbp:symbolism |
gptkb:the_city_of_London
the sea |
| gptkbp:theme |
identity
isolation feminism |