|
gptkbp:instance_of
|
gptkb:earthquake
|
|
gptkbp:adapted_into
|
gptkb:ballet
gptkb:Peter_Hall
gptkb:Sophocles
gptkb:Derek_Jacobi
gptkb:opera
gptkb:Robert_Icke
gptkb:Euripides
gptkb:film
|
|
gptkbp:critical_reception
|
highly regarded
studied in literature courses
|
|
gptkbp:cultural_significance
|
gptkb:mythological_figure
Aeschylean drama
|
|
gptkbp:features_character
|
gptkb:Clytemnestra
gptkb:Agamemnon
gptkb:Orestes
|
|
gptkbp:first_performance
|
458 BC
|
|
gptkbp:historical_context
|
gptkb:Trojan_War
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Aeschylus' Agamemnon
|
|
gptkbp:influenced
|
Western literature
theater practices
|
|
gptkbp:influenced_by
|
gptkb:mythological_figure
gptkb:Homer
Athenian society
philosophy of fate
|
|
gptkbp:inspired
|
modern adaptations
|
|
gptkbp:narrative_style
|
dramatic irony
monologues
choral odes
|
|
gptkbp:notable_performance
|
National Theatre production
Royal Shakespeare Company production
Greek Festival performances
|
|
gptkbp:notable_quote
|
“ The greatest of evils is a bad woman.”
“ Justice will take its course.”
|
|
gptkbp:part_of
|
gptkb:The_Oresteia
|
|
gptkbp:performed_by
|
gptkb:Theater_of_Dionysus
|
|
gptkbp:published_by
|
gptkb:The_Oresteia_trilogy
|
|
gptkbp:set_in
|
gptkb:Argos
|
|
gptkbp:symbolism
|
the watchman
the knife
the tapestry
|
|
gptkbp:symbolizes
|
gptkb:betrayal
gptkb:hubris
gptkb:Saint
|
|
gptkbp:themes
|
gptkb:justice
gptkb:revenge
gptkb:Order
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:written_by
|
gptkb:Aeschylus
|
|
gptkbp:written_in
|
gptkb:City
|
|
gptkbp:bfsParent
|
gptkb:Aegisthus
gptkb:Iphigenia
|
|
gptkbp:bfsLayer
|
5
|