|
gptkbp:instanceOf
|
play
|
|
gptkbp:adaptation
|
modern retelling
|
|
gptkbp:audience
|
mixed demographics
|
|
gptkbp:author
|
gptkb:John_Adams
|
|
gptkbp:basedOn
|
gptkb:The_Bible
|
|
gptkbp:character
|
gptkb:Jesus
gptkb:Lazarus
gptkb:Mary_Magdalene
Martha
|
|
gptkbp:collaborations
|
gptkb:Peter_Sellars
|
|
gptkbp:criticalReception
|
generally positive
|
|
gptkbp:culturalImpact
|
exploration_of_women's_roles_in_the_Bible
|
|
gptkbp:design
|
gptkb:Mimi_Lien
|
|
gptkbp:filmingLocation
|
gptkb:Los_Angeles_Opera
|
|
gptkbp:genre
|
opera
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Adams' The Gospel According to the Other Mary
|
|
gptkbp:influencedBy
|
gptkb:American_opera
|
|
gptkbp:influences
|
avant-garde music
minimalism
religious music
|
|
gptkbp:inspiration
|
the Passion narrative
|
|
gptkbp:instrument
|
orchestra
|
|
gptkbp:language
|
English
|
|
gptkbp:lighting
|
Jennifer Tipton
|
|
gptkbp:movement
|
none
|
|
gptkbp:musicStyle
|
contemporary classical
|
|
gptkbp:notableEvent
|
gptkb:Peter_Sellars
|
|
gptkbp:notableFeature
|
gptkb:Grammy_Award_for_Best_Contemporary_Classical_Composition
gptkb:Jesse_Blumberg
gptkb:Marina_Abramović
gptkb:J’Nai_Bridges
gptkb:Eric_Owens
gptkb:Renee_Fleming
gptkb:Matthew_Aucoin
gptkb:Ariana_DeBose
gptkb:Will_Liverman
Diana Damrau
performed in various opera houses
2013 premiere at the Los Angeles Opera
Davóne Tines
Kiera Duffy
|
|
gptkbp:performance
|
approximately 90 minutes
|
|
gptkbp:premiere
|
gptkb:Grant_Gershon
|
|
gptkbp:premieredOn
|
2013
|
|
gptkbp:productionCompany
|
gptkb:David_Korins
|
|
gptkbp:recordings
|
2014 release by Nonesuch Records
|
|
gptkbp:setting
|
gptkb:Jerusalem
|
|
gptkbp:thematicElement
|
betrayal
hope
sacrifice
|
|
gptkbp:theme
|
faith
suffering
redemption
|
|
gptkbp:type
|
gptkb:Peter_Sellars
|