Statements (52)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:art_movement
|
| gptkbp:associated_with |
gptkb:New_York_School
|
| gptkbp:characteristic |
emphasis on spontaneous, automatic, or subconscious creation
|
| gptkbp:criticism |
considered elitist by some
|
| gptkbp:exhibition |
gptkb:The_Ninth_Street_Show
|
| https://www.w3.org/2000/01/rdf-schema#label |
Abstract Expressionists
|
| gptkbp:impact |
gptkb:contemporary_art
|
| gptkbp:influenced_by |
gptkb:Fauvism
gptkb:Cubism gptkb:Surrealism |
| gptkbp:key_concept |
gptkb:art_movement
gptkb:artistic_legacy gptkb:freedom_of_expression viewer engagement spontaneity emotional intensity abstract forms collective identity individual expression artistic community dynamic compositions artistic dialogue artistic experimentation artistic freedom artistic innovation cultural commentary artistic exploration artistic autonomy artistic significance large-scale canvases non-representational art the unconscious mind artistic influence art as a process non-traditional materials artistic rebellion artistic expressionism color as a primary element gestural brushstrokes physicality of paint |
| gptkbp:legacy |
influenced later movements like Minimalism and Postmodernism
|
| gptkbp:notable_artists |
gptkb:Jackson_Pollock
gptkb:Mark_Rothko gptkb:Willem_de_Kooning gptkb:Lee_Krasner gptkb:Franz_Kline |
| gptkbp:origin |
gptkb:United_States
|
| gptkbp:technique |
action painting
color field painting |
| gptkbp:time_period |
1940s to 1950s
|
| gptkbp:bfsParent |
gptkb:Lee_Krasner
|
| gptkbp:bfsLayer |
5
|