gptkbp:instance_of
|
gptkb:musical
gptkb:bird
gptkb:anthology
gptkb:play
|
gptkbp:activities
|
climbing the tree
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:film
various stage adaptations
|
gptkbp:art_movement
|
gptkb:Realism
|
gptkbp:associated_act
|
2
|
gptkbp:author
|
gptkb:Sarah_Orne_Jewett
|
gptkbp:awards
|
gptkb:Audience_Choice_Award
Best New Musical
|
gptkbp:based_on
|
A White Heron (short story)
|
gptkbp:behavior
|
wading
|
gptkbp:cast
|
gptkb:Emily_Johnson
gptkb:Michael_Brown
gptkb:Sarah_White
gptkb:James_Green
gptkb:Laura_Blue
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gptkbp:character
|
gptkb:Sylvia
gptkb:The_Hunter
gptkb:The_Heron
rural landscape
The Grandmother
the hunter
the heron
Mrs. Tilley
|
gptkbp:character_arc
|
self-discovery
Sylvia's moral awakening
|
gptkbp:character_development
|
Sylvia's growth
|
gptkbp:character_relationships
|
naivety
human vs. nature
Sylvia and her grandmother
Sylvia and the hunter
|
gptkbp:character_traits
|
curiosity
|
gptkbp:choreography
|
gptkb:Jane_Doe
|
gptkbp:climax
|
decision to protect the heron
Sylvia's decision about the heron
|
gptkbp:color
|
gptkb:white
|
gptkbp:composer
|
gptkb:David_L._Brunner
|
gptkbp:conflict
|
internal conflict
moral dilemma
nature vs. exploitation
|
gptkbp:critical_reception
|
positive
generally positive
mixed reviews
well-received
considered a classic
studied in schools
analyzed for themes
|
gptkbp:cultural_impact
|
inspired feminist readings
adapted into various media
part of American literary canon
influenced environmental literature
discussed in environmental studies
influenced nature writing
|
gptkbp:diet
|
gptkb:fish
|
gptkbp:director
|
gptkb:John_E._Smith
|
gptkbp:family
|
gptkb:Ardeidae
|
gptkbp:filming_location
|
gptkb:Borough
|
gptkbp:first_performance
|
1886
|
gptkbp:genre
|
gptkb:theatre
gptkb:High_School
literary fiction
|
gptkbp:genus
|
gptkb:Egretta
|
gptkbp:habitat
|
wetlands
|
gptkbp:has_gameplay_element
|
the heron
|
gptkbp:historical_context
|
post-Civil War America
|
https://www.w3.org/2000/01/rdf-schema#label
|
A White Heron
|
gptkbp:influence
|
American literature
|
gptkbp:influenced_artists
|
nature writing
|
gptkbp:influenced_by
|
Transcendentalism
|
gptkbp:influences
|
American literature
American folk music
classical music
|
gptkbp:inspiration
|
nature conservation
childhood experiences
environmentalism
Jewett's own experiences
|
gptkbp:is_characterized_by
|
vivid
|
gptkbp:is_motivated_by
|
love for nature
|
gptkbp:is_represented_in
|
the heron's flight.
|
gptkbp:is_symbolic_of
|
freedom
|
gptkbp:language
|
English
|
gptkbp:literary_devices
|
gptkb:Person
gptkb:language
gptkb:literary_work
symbolism
imagery
foreshadowing
contrast
setting as character
theme of choice
|
gptkbp:lyricist
|
gptkb:J._David_Moore
|
gptkbp:main_character
|
gptkb:Sylvia
young girl
|
gptkbp:merchandise
|
gptkb:award
sheet music
t-shirts
cast recordings
|
gptkbp:migration
|
seasonal
|
gptkbp:mood
|
conflicted
reflective
wistful
|
gptkbp:motif
|
gptkb:National_Park
nature
childhood
bird symbolism
|
gptkbp:music_style
|
contemporary
hunter's intentions
|
gptkbp:narrative_style
|
realism
third-person
foreshadowing
third-person limited
|
gptkbp:nesting
|
colonial
|
gptkbp:notable_song
|
gptkb:The_Call_of_the_Wild
gptkb:The_Choice
The Heron's Flight
|
gptkbp:plot
|
linear
|
gptkbp:premiered_on
|
gptkb:2018
|
gptkbp:production_company
|
Theatrical Productions
|
gptkbp:production_years
|
international tours
regional theatres
|
gptkbp:published_by
|
gptkb:The_Atlantic_Monthly
1886
|
gptkbp:resolution
|
Sylvia's choice
|
gptkbp:role
|
gptkb:fictional_character
|
gptkbp:runtime
|
90 minutes
|
gptkbp:setting
|
gptkb:late_19th_century
gptkb:Maine
gptkb:New_England
|
gptkbp:species
|
gptkb:Egretta_thula
|
gptkbp:style
|
descriptive
|
gptkbp:symbol
|
gptkb:tree
heron
|
gptkbp:symbolism
|
innocence
|
gptkbp:thematic_element
|
innocence vs. experience
|
gptkbp:theme
|
innocence
female empowerment
nature vs. civilization
|
gptkbp:themes
|
gptkb:military_conflict
nature
innocence
conservation
|
gptkbp:website
|
official website
|
gptkbp:bfsParent
|
gptkb:Sarah_Orne_Jewett
|
gptkbp:bfsLayer
|
4
|