|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:budget
|
$1.2 million
|
|
gptkbp:cinematography_by
|
gptkb:Milan_Jelić
|
|
gptkbp:controversy
|
graphic violence
|
|
gptkbp:country
|
gptkb:Serbia
|
|
gptkbp:critical_reception
|
polarizing
|
|
gptkbp:cultural_impact
|
cult status
|
|
gptkbp:directed_by
|
gptkb:Srdjan_Spasojevic
|
|
gptkbp:edited_by
|
gptkb:Milan_Jelić
|
|
gptkbp:film_awards
|
gptkb:N/_A
|
|
gptkbp:film_series
|
gptkb:N/_A
|
|
gptkbp:genre
|
gptkb:horror
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
A Serbian Film
|
|
gptkbp:influenced_by
|
gptkb:horror_genre
gptkb:film
social commentary
political commentary
psychological horror
surrealism
social realism
body horror
Serbian history
avant-garde film
shock cinema
extreme cinema
|
|
gptkbp:language
|
gptkb:Serbian
|
|
gptkbp:main_character
|
Milos
|
|
gptkbp:music_by
|
Vladimir Nikolov
|
|
gptkbp:notable_awards
|
gptkb:N/_A
|
|
gptkbp:notable_scene
|
final act
opening scene
Milos's transformation
infamous climax
the film within a film
|
|
gptkbp:premiered_on
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:produced_by
|
Boris Kolar
|
|
gptkbp:rating
|
NC-17
|
|
gptkbp:released_in
|
gptkb:2010
|
|
gptkbp:runtime
|
104 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Srdjan_Spasojevic
|
|
gptkbp:themes
|
gptkb:corruption
gptkb:identity
gptkb:family
gptkb:society
trauma
morality
violence
exploitation
sexuality
artificiality
|
|
gptkbp:bfsParent
|
gptkb:Salò,_or_the_120_Days_of_Sodom
gptkb:Transgressive_Cinema
|
|
gptkbp:bfsLayer
|
5
|