|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:a_scanner_darkly's_impact
|
cult following
|
|
gptkbp:a_scanner_darkly's_narrative_focus
|
drug culture
|
|
gptkbp:adaptation
|
gptkb:animated_film
live-action/animated
A Scanner Darkly (film)
|
|
gptkbp:adaptation_year
|
gptkb:2006
|
|
gptkbp:adapted_into
|
a graphic novel
|
|
gptkbp:alter_ego
|
gptkb:Fred
|
|
gptkbp:animation_style
|
rotoscoping
blend of live-action and animation
|
|
gptkbp:art_style
|
surreal
|
|
gptkbp:author
|
gptkb:Philip_K._Dick
|
|
gptkbp:based_on
|
gptkb:novel
A Scanner Darkly (novel)
|
|
gptkbp:based_on_work
|
gptkb:Philip_K._Dick
|
|
gptkbp:bob_arctor's_drug_of_choice
|
gptkb:Substance_D
|
|
gptkbp:bob_arctor's_love_interest
|
Donna
|
|
gptkbp:bob_arctor's_struggle
|
dual identity
|
|
gptkbp:box_office
|
$7.9 million
|
|
gptkbp:budget
|
$8.5 million
|
|
gptkbp:cast
|
gptkb:Keanu_Reeves
gptkb:Winona_Ryder
gptkb:Robert_Downey_Jr.
gptkb:Woody_Harrelson
|
|
gptkbp:character
|
gptkb:Bob_Arctor
gptkb:Donna_Hawthorne
Agent Fred
Freck
James Barris
|
|
gptkbp:cinematography
|
gptkb:Dick_Pope
|
|
gptkbp:cinematography_by
|
gptkb:Dick_Pope
|
|
gptkbp:contains
|
satirical elements
psychological elements
philosophical elements
|
|
gptkbp:critical_reception
|
positive
mixed reviews
well-received
|
|
gptkbp:cultural_impact
|
cult following
inspired discussions on drug policy
|
|
gptkbp:depicts
|
gptkb:dystopian_fiction
|
|
gptkbp:directed_by
|
gptkb:Richard_Linklater
|
|
gptkbp:director
|
gptkb:Richard_Linklater
|
|
gptkbp:distributor
|
gptkb:Warner_Independent_Pictures
|
|
gptkbp:edited_by
|
gptkb:Sandra_Adair
|
|
gptkbp:editing
|
gptkb:Sandra_Adair
|
|
gptkbp:explores
|
the nature of reality
the impact of technology
|
|
gptkbp:features
|
substance abuse
identity crisis
multiple identities
surveillance state
drug addiction as a central theme
|
|
gptkbp:features_voice_actors
|
gptkb:Paul_Giamatti
gptkb:Keanu_Reeves
gptkb:Robert_Downey_Jr.
gptkb:Woody_Harrelson
gptkb:Ruth_Ozeki
|
|
gptkbp:film_festival
|
gptkb:Sundance_Film_Festival
|
|
gptkbp:film_length
|
100 minutes
|
|
gptkbp:film_technique
|
gptkb:satire
symbolism
dream sequences
dystopian elements
voice-over narration
visual metaphors
psychological thriller elements
rotoscoping
character duality
|
|
gptkbp:follows
|
an undercover cop
|
|
gptkbp:genre
|
gptkb:science_fiction
gptkb:animated_film
|
|
gptkbp:has_rating
|
7.1/10 on IMDb
61% on Metacritic
66% on Rotten Tomatoes
|
|
gptkbp:has_theme
|
gptkb:betrayal
gptkb:friendship
gptkb:identity
mental health
paranoia
technology impact
dystopia
drug addiction
government control
reality perception
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
A Scanner Darkly
|
|
gptkbp:influence
|
cyberpunk genre
|
|
gptkbp:influenced
|
gptkb:animated_film
cyberpunk genre
science fiction cinema
|
|
gptkbp:influenced_by
|
drug culture
personal experiences of Philip K. Dick
|
|
gptkbp:influences
|
Philip K. Dick's works
|
|
gptkbp:inspired
|
philosophical discussions
|
|
gptkbp:is_analyzed_in
|
in literary studies
|
|
gptkbp:is_considered
|
a classic of science fiction
|
|
gptkbp:is_explored_in
|
mental health issues
the nature of reality
personal freedom
the impact of technology on society
the nature of consciousness
the search for truth
government control
the struggle for authenticity
the search for meaning in a chaotic world
the consequences of addiction
the illusion of choice
the ethics of surveillance
the concept of identity crisis
the consequences of living a lie
the fragmentation of self
the impact of addiction on relationships
the impact of drugs on perception
the relationship between reality and fiction
the role of the state in personal lives
|
|
gptkbp:is_known_for
|
its complex narrative
|
|
gptkbp:is_part_of
|
Philip K. Dick's body of work
|
|
gptkbp:is_recognized_for
|
its exploration of consciousness
|
|
gptkbp:is_referenced_in
|
in popular culture
|
|
gptkbp:is_set_in
|
gptkb:California
|
|
gptkbp:is_studied_in
|
in academic settings
|
|
gptkbp:isbn
|
978-0-345-39180-3
|
|
gptkbp:language
|
English
|
|
gptkbp:main_actor
|
gptkb:Keanu_Reeves
gptkb:Winona_Ryder
gptkb:Robert_Downey_Jr.
gptkb:Woody_Harrelson
|
|
gptkbp:main_character
|
gptkb:Bob_Arctor
|
|
gptkbp:music_by
|
gptkb:Graham_Reynolds
|
|
gptkbp:music_composer
|
gptkb:John_Frizzell
|
|
gptkbp:narrative
|
non-linear
|
|
gptkbp:narrative_style
|
first-person
non-linear
|
|
gptkbp:nominated_for
|
gptkb:the_Hugo_Award
|
|
gptkbp:notable_quote
|
" I am a drug."
|
|
gptkbp:notable_work
|
gptkb:Philip_K._Dick
|
|
gptkbp:page_count
|
192
|
|
gptkbp:performed_in
|
a turbulent period in America
|
|
gptkbp:plot
|
explores drug addiction and identity crisis
|
|
gptkbp:premiered_on
|
gptkb:Sundance_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Richard_Linklater
gptkb:Tommy_Pallotta
|
|
gptkbp:production_company
|
gptkb:Lions_Gate_Entertainment
gptkb:Polygram_Filmed_Entertainment
|
|
gptkbp:protagonist
|
undercover agent
|
|
gptkbp:published
|
gptkb:1977
|
|
gptkbp:published_by
|
the 1970s
|
|
gptkbp:published_in
|
gptkb:the_United_States
|
|
gptkbp:publisher
|
gptkb:Doubleday
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:received
|
mixed reviews
|
|
gptkbp:release_date
|
March 30, 2006
|
|
gptkbp:release_year
|
gptkb:2006
|
|
gptkbp:released
|
gptkb:2006
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Richard_Linklater
gptkb:Bob_Sabiston
|
|
gptkbp:serialization
|
gptkb:Galaxy_Science_Fiction
|
|
gptkbp:set_in
|
near-future America
|
|
gptkbp:setting
|
near-future America
|
|
gptkbp:societal_critique
|
surveillance state
|
|
gptkbp:special_features
|
gptkb:commentary
behind-the-scenes
deleted scenes
making-of documentary
|
|
gptkbp:starring
|
gptkb:Keanu_Reeves
gptkb:Robert_Downey_Jr.
gptkb:Woody_Harrelson
gptkb:Ruth_Ozeki
|
|
gptkbp:theme
|
gptkb:identity
substance abuse
surveillance
drug addiction
|
|
gptkbp:themes
|
self-identity
reality vs illusion
government control
reality vs. perception
|
|
gptkbp:voice_cast
|
gptkb:Keanu_Reeves
gptkb:Winona_Ryder
gptkb:Robert_Downey_Jr.
gptkb:Woody_Harrelson
|
|
gptkbp:was_influenced_by
|
the counterculture movement
|
|
gptkbp:won
|
the John W. Campbell Memorial Award
|
|
gptkbp:year
|
1990s
|
|
gptkbp:bfsParent
|
gptkb:Philip_K._Dick
|
|
gptkbp:bfsLayer
|
3
|