|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Richard_Linklater
gptkb:Winona_Ryder
gptkb:Philip_K._Dick
|
|
gptkbp:adaptation
|
gptkb:2006
gptkb:animated_film
live-action/animated
A Scanner Darkly (film)
|
|
gptkbp:adapted_into
|
a graphic novel
|
|
gptkbp:alter_ego
|
gptkb:Fred
|
|
gptkbp:art_style
|
surreal
|
|
gptkbp:author
|
gptkb:Philip_K._Dick
|
|
gptkbp:based_on
|
gptkb:Philip_K._Dick
gptkb:novel
A Scanner Darkly (novel)
|
|
gptkbp:box_office
|
$7.9 million
|
|
gptkbp:budget
|
$8.5 million
|
|
gptkbp:cast
|
gptkb:Keanu_Reeves
gptkb:Winona_Ryder
gptkb:Robert_Downey_Jr.
gptkb:Woody_Harrelson
|
|
gptkbp:character
|
gptkb:Bob_Arctor
gptkb:Donna_Hawthorne
Agent Fred
Freck
James Barris
|
|
gptkbp:cinematography
|
gptkb:Dick_Pope
|
|
gptkbp:communication
|
gptkb:Galaxy_Science_Fiction
|
|
gptkbp:composer
|
gptkb:John_Frizzell
|
|
gptkbp:contains
|
satirical elements
psychological elements
philosophical elements
|
|
gptkbp:critical_reception
|
positive
mixed reviews
well-received
|
|
gptkbp:cultural_impact
|
cult following
inspired discussions on drug policy
|
|
gptkbp:depicts
|
gptkb:Community_Center
|
|
gptkbp:directed_by
|
gptkb:Richard_Linklater
|
|
gptkbp:director
|
gptkb:Richard_Linklater
|
|
gptkbp:distributor
|
gptkb:Warner_Independent_Pictures
|
|
gptkbp:edited_by
|
gptkb:Sandra_Adair
|
|
gptkbp:editor
|
gptkb:Sandra_Adair
|
|
gptkbp:examines
|
cult following
|
|
gptkbp:explores
|
the nature of reality
the impact of technology
|
|
gptkbp:fan_engagement
|
Donna
|
|
gptkbp:features
|
gptkb:Television_personality
substance abuse
behind-the-scenes
identity crisis
multiple identities
deleted scenes
making-of documentary
surveillance state
drug addiction as a central theme
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:filmography
|
gptkb:comic_book
100 minutes
symbolism
dream sequences
dystopian elements
voice-over narration
visual metaphors
psychological thriller elements
rotoscoping
character duality
|
|
gptkbp:follows
|
an undercover cop
|
|
gptkbp:genre
|
gptkb:Author
gptkb:animated_film
|
|
gptkbp:has_theme
|
gptkb:TV_series
gptkb:betrayal
gptkb:Community_Center
mental health
paranoia
technology impact
dystopia
drug addiction
government control
reality perception
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
A Scanner Darkly
|
|
gptkbp:influence
|
cyberpunk genre
|
|
gptkbp:influenced
|
gptkb:animated_film
cyberpunk genre
science fiction cinema
|
|
gptkbp:influenced_by
|
the counterculture movement
drug culture
personal experiences of Philip K. Dick
|
|
gptkbp:influences
|
Philip K. Dick's works
|
|
gptkbp:inspired
|
philosophical discussions
|
|
gptkbp:is_analyzed_in
|
in literary studies
|
|
gptkbp:is_considered
|
a classic of science fiction
|
|
gptkbp:is_criticized_for
|
surveillance state
|
|
gptkbp:is_explored_in
|
mental health issues
the nature of reality
personal freedom
the impact of technology on society
the nature of consciousness
the search for truth
government control
the struggle for authenticity
the search for meaning in a chaotic world
the consequences of addiction
the illusion of choice
the ethics of surveillance
the concept of identity crisis
the consequences of living a lie
the fragmentation of self
the impact of addiction on relationships
the impact of drugs on perception
the relationship between reality and fiction
the role of the state in personal lives
|
|
gptkbp:is_known_for
|
its complex narrative
|
|
gptkbp:is_part_of
|
Philip K. Dick's body of work
|
|
gptkbp:is_recognized_for
|
its exploration of consciousness
|
|
gptkbp:is_referenced_in
|
in popular culture
|
|
gptkbp:is_studied_in
|
in academic settings
|
|
gptkbp:isbn
|
978-0-345-39180-3
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Bob_Arctor
undercover agent
|
|
gptkbp:media_adaptations
|
blend of live-action and animation
|
|
gptkbp:music_by
|
gptkb:Graham_Reynolds
|
|
gptkbp:narrative_style
|
first-person
non-linear
|
|
gptkbp:narrative_theme
|
drug culture
|
|
gptkbp:notable_inductees
|
gptkb:the_Hugo_Award
|
|
gptkbp:notable_quote
|
" I am a drug."
|
|
gptkbp:notable_story_arc
|
dual identity
|
|
gptkbp:notable_work
|
gptkb:Philip_K._Dick
|
|
gptkbp:page_count
|
192
|
|
gptkbp:performed_by
|
a turbulent period in America
|
|
gptkbp:pharmacokinetics
|
gptkb:Substance_D
|
|
gptkbp:plot
|
explores drug addiction and identity crisis
|
|
gptkbp:premiered_on
|
gptkb:film_festival
|
|
gptkbp:produced_by
|
gptkb:Richard_Linklater
gptkb:Tommy_Pallotta
|
|
gptkbp:production_company
|
gptkb:Lions_Gate_Entertainment
gptkb:Polygram_Filmed_Entertainment
|
|
gptkbp:published_by
|
gptkb:1977
gptkb:the_United_States
the 1970s
|
|
gptkbp:publisher
|
gptkb:Doubleday
|
|
gptkbp:rating
|
gptkb:R
61% on Metacritic
66% on Rotten Tomatoes
7.1/10 on IM Db
|
|
gptkbp:received
|
mixed reviews
|
|
gptkbp:release_date
|
March 30, 2006
|
|
gptkbp:release_year
|
gptkb:2006
|
|
gptkbp:released
|
gptkb:2006
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Richard_Linklater
gptkb:Bob_Sabiston
|
|
gptkbp:set_in
|
gptkb:California
near-future America
|
|
gptkbp:setting
|
near-future America
|
|
gptkbp:starring
|
gptkb:Keanu_Reeves
gptkb:Robert_Downey_Jr.
gptkb:Woody_Harrelson
gptkb:Ruth_Ozeki
|
|
gptkbp:style
|
rotoscoping
|
|
gptkbp:theme
|
gptkb:TV_series
substance abuse
surveillance
drug addiction
|
|
gptkbp:themes
|
self-identity
reality vs illusion
government control
reality vs. perception
|
|
gptkbp:voice_actor
|
gptkb:Paul_Giamatti
gptkb:Keanu_Reeves
gptkb:Robert_Downey_Jr.
gptkb:Woody_Harrelson
gptkb:Ruth_Ozeki
|
|
gptkbp:voice_cast
|
gptkb:Keanu_Reeves
gptkb:Winona_Ryder
gptkb:Robert_Downey_Jr.
gptkb:Woody_Harrelson
|
|
gptkbp:winner
|
the John W. Campbell Memorial Award
|
|
gptkbp:year
|
1990s
|