gptkbp:instance_of
|
gptkb:novel
gptkb:film
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gptkbp:bfsLayer
|
4
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gptkbp:bfsParent
|
gptkb:Timothy_John_Le_Carre
gptkb:The_Little_Drummer_Girl
|
gptkbp:adaptation
|
gptkb:1988
gptkb:film_series
BBC miniseries
film rights sold
|
gptkbp:adapted_into
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gptkb:theatre
gptkb:radio_station
|
gptkbp:art_style
|
stylized cinematography
|
gptkbp:author
|
gptkb:John_le_Carré
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gptkbp:awards
|
BAFTA nominations
nominated for several
nominated for the Booker Prize
|
gptkbp:based_on
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gptkb:novel_by_John_le_Carré
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gptkbp:cast
|
gptkb:David_John_Moore_Cornwell
|
gptkbp:character
|
gptkb:Magnus_Pym
Pym's father
Pym's love interest
Pym's mentor
|
gptkbp:character_arc
|
gptkb:Transformation
Peter Guillam's journey
|
gptkbp:character_development
|
gptkb:launch_complex
complex characters
|
gptkbp:character_relationships
|
gptkb:moral_ambiguity
trust issues
complex dynamics
self-deception
|
gptkbp:cinematography
|
gptkb:Peter_Hannan
|
gptkbp:composer
|
gptkb:Richard_Hartley
|
gptkbp:conflict
|
gptkb:moral_ambiguity
personal vs professional
|
gptkbp:country
|
gptkb:United_Kingdom
|
gptkbp:critical_reception
|
positive
mixed reviews
well-received
|
gptkbp:cultural_impact
|
influenced spy genre
adaptations in various media
|
gptkbp:director
|
gptkb:Derek_Marlowe
|
gptkbp:distributor
|
gptkb:BBC
|
gptkbp:editor
|
gptkb:Michael_Bradsell
|
gptkbp:ends_at
|
ambiguous
|
gptkbp:features
|
espionage themes
|
gptkbp:filming_location
|
gptkb:Borough
gptkb:Berlin
gptkb:Paris
|
gptkbp:filmography
|
A Perfect Spy (1988)
|
gptkbp:followed_by
|
gptkb:The_Secret_Pilgrim
|
gptkbp:follows
|
the life of a spy
|
gptkbp:genre
|
gptkb:High_School
gptkb:film
spy fiction
|
gptkbp:historical_context
|
Cold War tensions
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
https://www.w3.org/2000/01/rdf-schema#label
|
A Perfect Spy
|
gptkbp:influenced
|
subsequent spy films
subsequent spy novels
television spy dramas
inspired other spy narratives
film adaptations of spy stories
|
gptkbp:influenced_by
|
real-life espionage cases
|
gptkbp:influences
|
real-life espionage
|
gptkbp:inspiration
|
John le Carré's experiences
|
gptkbp:is_critical_for
|
examined in literary studies
|
gptkbp:is_motivated_by
|
gptkb:survival
|
gptkbp:isbn
|
978-0-340-42429-0
978-0-340-42480-0
|
gptkbp:language
|
English
sharp and witty
|
gptkbp:legacy
|
cult following
|
gptkbp:literary_devices
|
flashbacks
foreshadowing
|
gptkbp:main_character
|
gptkb:Detective
gptkb:Peter_Guillam
|
gptkbp:motif
|
gptkb:military_operation
surveillance
secrecy
loyalty and betrayal
double life
|
gptkbp:narrative_style
|
first-person
non-linear storytelling
unreliable narrator
|
gptkbp:notable_quote
|
" The perfect spy is a man who can be trusted."
|
gptkbp:page_count
|
400
384
|
gptkbp:plot
|
non-linear
|
gptkbp:plot_twist
|
unexpected revelations
|
gptkbp:premiere
|
gptkb:1987_Cannes_Film_Festival
|
gptkbp:production_company
|
gptkb:BBC
|
gptkbp:published_by
|
gptkb:1986
|
gptkbp:publisher
|
gptkb:Hodder_&_Stoughton
|
gptkbp:reader_demographic
|
cult following
considered a classic
widely read
|
gptkbp:related_works
|
gptkb:The_Spy_Who_Came_in_from_the_Cold
|
gptkbp:release_format
|
gptkb:film
|
gptkbp:release_year
|
gptkb:1987
gptkb:1988
|
gptkbp:remake
|
not planned
|
gptkbp:runtime
|
120 minutes
|
gptkbp:screenplay_by
|
gptkb:Derek_Marlowe
|
gptkbp:set_in
|
Cold War era
|
gptkbp:setting
|
gptkb:Borough
gptkb:Europe
gptkb:Berlin
gptkb:Monarch
|
gptkbp:significance
|
explores moral ambiguity
reflects Cold War tensions
explores espionage ethics
character study of a spy
|
gptkbp:starring
|
gptkb:John_Standing
gptkb:Ian_Richardson
gptkb:Peter_O'_Toole
gptkb:Joss_Ackland
|
gptkbp:style
|
literary fiction
|
gptkbp:symbolism
|
gptkb:the_Cold_War
the concept of truth
the spy as a metaphor
the spy as a double agent
|
gptkbp:thematic_element
|
identity crisis
|
gptkbp:themes
|
gptkb:TV_series
gptkb:betrayal
gptkb:existentialism
gptkb:loyalty
gptkb:military_operation
espionage
|
gptkbp:viewership
|
high ratings
|
gptkbp:year
|
gptkb:20th_century
|