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gptkbp:instance_of
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gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:radio_station
gptkb:graphic_novel
gptkb:theater
gptkb:film
|
|
gptkbp:adaptation_year
|
gptkb:1970
gptkb:2009
gptkb:2016
gptkb:2018
gptkb:2020
|
|
gptkbp:adaptations
|
gptkb:radio_station
gptkb:theater
gptkb:film
2016 film adaptation
2019 stage adaptation
|
|
gptkbp:adapted_into
|
gptkb:ballet
|
|
gptkbp:author
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gptkb:Mikhail_Lermontov
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|
gptkbp:available_in
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gptkb:French
gptkb:Spanish
gptkb:German
English
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|
gptkbp:character_arc
|
Pechorin's journey
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|
gptkbp:character_development
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complex characters
Pechorin's evolution
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|
gptkbp:character_relationships
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Pechorin and Bela
Pechorin and Grushnitsky
Pechorin and Mary
Pechorin and the narrator
Pechorin and Princess Mary
Pechorin and his friends
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gptkbp:characteristic
|
Pechorin as anti-hero
|
|
gptkbp:conflict
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internal conflict
external conflict
|
|
gptkbp:critical_analysis
|
social commentary
philosophical exploration
psychological depth
|
|
gptkbp:critical_reception
|
positive
mixed reviews
|
|
gptkbp:cultural_impact
|
inspired other works
inspired writers
inspired filmmakers
|
|
gptkbp:cultural_references
|
gptkb:popular_culture
literary studies
artistic interpretations
|
|
gptkbp:cultural_significance
|
Russian Romanticism
|
|
gptkbp:fifth_chapter
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gptkb:The_Fatalist
|
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gptkbp:fourth_chapter
|
gptkb:Princess_Mary
|
|
gptkbp:genre
|
gptkb:Romanticism
psychological novel
|
|
gptkbp:historical_context
|
19th century Russia
|
|
gptkbp:historical_legacy
|
gptkb:academic_study
enduring popularity
influence on Russian identity
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
A Hero of Our Time
|
|
gptkbp:influence
|
Russian literature
|
|
gptkbp:influence_on
|
modern literature
Russian authors
Russian existentialism
|
|
gptkbp:influenced
|
gptkb:Alexander_Chekhov
gptkb:Vladimir_Nabokov
gptkb:Fyodor_Dostoevsky
|
|
gptkbp:inspiration
|
other novels
|
|
gptkbp:inspired
|
modern literature
|
|
gptkbp:language
|
gptkb:Russian
|
|
gptkbp:literary_devices
|
symbolism
foreshadowing
flashback
|
|
gptkbp:literary_significance
|
social critique
psychological depth
pioneering work
pioneering psychological novel
|
|
gptkbp:main_character
|
gptkb:Pechorin
|
|
gptkbp:mood
|
gptkb:melancholic
|
|
gptkbp:motif
|
gptkb:duality
gptkb:heroism
gptkb:conflict
nature
isolation
disillusionment
solitude
romantic hero
|
|
gptkbp:narrative
|
first-person
episodic
frame story
|
|
gptkbp:narrative_style
|
first-person
stream of consciousness
flashbacks
foreshadowing
fragmented narrative
romantic irony
|
|
gptkbp:notable_characters
|
gptkb:Princess_Mary
gptkb:Grushnitsky
gptkb:Maxim_Maximych
gptkb:Vera
|
|
gptkbp:notable_quote
|
“ The hero of our time”
|
|
gptkbp:number_of_books
|
gptkb:Bela
gptkb:5
five
|
|
gptkbp:protagonist
|
gptkb:Pechorin
|
|
gptkbp:publication_year
|
1840
|
|
gptkbp:published
|
1840
|
|
gptkbp:published_in
|
gptkb:magazine
serial format
|
|
gptkbp:publisher
|
The Russian Messenger
|
|
gptkbp:second_chapter
|
Marya
|
|
gptkbp:setting
|
gptkb:Caucasus
|
|
gptkbp:structure
|
gptkb:novel
|
|
gptkbp:style
|
lyrical prose
|
|
gptkbp:symbolism
|
gptkb:Caucasus_mountains
gptkb:duality
gptkb:the_duel
nature
the Caucasus
the hero
|
|
gptkbp:themes
|
gptkb:existentialism
gptkb:nihilism
gptkb:fate
love
romantic love
disillusionment
romanticism
self-destruction
|
|
gptkbp:third_chapter
|
Taman
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:written_by
|
gptkb:Mikhail_Lermontov
|
|
gptkbp:bfsParent
|
gptkb:Mary
gptkb:Mikhail_Lermontov
|
|
gptkbp:bfsLayer
|
4
|