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gptkbp:instance_of
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gptkb:musical
gptkb:film_adaptations
gptkb:television_series
gptkb:radio_station
gptkb:animated_film
gptkb:novel
gptkb:stage_play
|
|
gptkbp:adaptation
|
gptkb:musical
gptkb:ballet
gptkb:musical_theatre
gptkb:television_series
gptkb:comic_book
gptkb:radio_station
gptkb:musical_comedy
gptkb:television_special
gptkb:graphic_novel
gptkb:opera
gptkb:video_game
gptkb:animated_film
gptkb:parody
gptkb:audiobook
gptkb:film
gptkb:stage_play
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|
gptkbp:adaptation_year
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gptkb:1921
gptkb:1949
gptkb:1970
gptkb:1989
gptkb:1995
gptkb:2001
gptkb:2010
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|
gptkbp:adaptations
|
gptkb:film_adaptation
|
|
gptkbp:adapted_into
|
gptkb:musical
gptkb:television_series
gptkb:radio_station
gptkb:theater
gptkb:television
gptkb:film
|
|
gptkbp:animation_style
|
traditional animation
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|
gptkbp:artistic_director
|
gptkb:Ken_Anderson
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gptkbp:author
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gptkb:Mark_Twain
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gptkbp:based_on
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gptkb:novel
A Connecticut Yankee in King Arthur's Court (novel)
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|
gptkbp:box_office
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$1.5 million
|
|
gptkbp:cast
|
gptkb:Robert_Wright
gptkb:Evelyn_Rudie
gptkb:Constance_Towers
gptkb:Mildred_Dunnock
gptkb:Eugene_B._Sledge
gptkb:John_Raitt
gptkb:James_Mitchell
gptkb:John_Mc_Giver
gptkb:Robert_Emmett_Keane
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|
gptkbp:character
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gptkb:the_Black_Knight
gptkb:Guinevere
gptkb:Sandy
gptkb:the_Knights_of_the_Round_Table
gptkb:Sir_Bedivere
gptkb:King_Arthur
gptkb:Merlin
gptkb:Sir_Lancelot
gptkb:the_Lady_of_the_Lake
gptkb:Lady_Alisande
gptkb:Hank_Morgan
gptkb:The_Lady_of_the_Lake
gptkb:The_Knights_of_the_Round_Table
gptkb:The_Black_Knight
the peasants of Camelot
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gptkbp:character_development
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Hank Morgan's transformation
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gptkbp:choreography
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gptkb:Agnes_de_Mille
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|
gptkbp:cinematography
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gptkb:William_H._Daniels
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|
gptkbp:composer
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gptkb:Richard_Rodgers
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gptkbp:conflict
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modernity vs. medievalism
Modernity vs. medieval society
modernity vs. medieval society
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gptkbp:contains
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gptkb:humor
social commentary
historical references
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gptkbp:country
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gptkb:United_States
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gptkbp:created_by
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gptkb:Mark_Twain
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|
gptkbp:critical_reception
|
mixed
mixed reviews
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gptkbp:cultural_impact
|
inspired various adaptations
inspired adaptations in various media
inspired parodies
referenced in various media
explored the theme of friendship
highlighted the importance of education
influenced other time travel stories
examined the role of religion in society
discussed the role of women in society
reflected on the human condition
examined social issues of the time
addressed class differences
influenced modern interpretations of Arthurian legend
depicted the clash of cultures
reflected on the American Dream
analyzed the nature of power and authority
commented on chivalry and knighthood
commented on the nature of justice
discussed the impact of war on society
examined the concept of heroism
exploration of technology vs. chivalry
explored themes of technology and progress
highlighted the absurdity of certain traditions
reflected on American identity
explored the consequences of technological advancement
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gptkbp:cultural_references
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referenced in popular culture
inspired academic studies
inspired theme park attractions
referenced in literature
used in various parodies
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|
gptkbp:cultural_significance
|
depicts the clash of cultures
uses humor to critique society
reflects American values of the time
examines class and social structures
explores themes of technology and progress
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gptkbp:directed_by
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gptkb:David_Hand
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gptkbp:director
|
gptkb:George_S._Kaufman
gptkb:David_Butler
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gptkbp:distributor
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gptkb:RKO_Radio_Pictures
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|
gptkbp:editor
|
gptkb:Paul_S._Anderson
gptkb:Robert_L._Simpson
|
|
gptkbp:famous_quote
|
' The best way to cheer yourself up is to try to cheer somebody else up.'
' The best way to cheer yourself is to try to cheer someone else up.'
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|
gptkbp:features
|
gptkb:magic
gptkb:Knight
gptkb:chivalry
|
|
gptkbp:first_aired
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gptkb:1989
|
|
gptkbp:first_performance
|
gptkb:New_York_City
1891
|
|
gptkbp:first_published
|
1889
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|
gptkbp:genre
|
gptkb:musical
gptkb:musical_comedy
gptkb:comedy
gptkb:satire
gptkb:adventure
gptkb:fantasy
gptkb:historical_fiction
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|
gptkbp:has_adaptation
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gptkb:A_Connecticut_Yankee_in_King_Arthur's_Court_(film)
A Connecticut Yankee in King Arthur's Court (musical)
A Connecticut Yankee in King Arthur's Court (television)
A Connecticut Yankee in King Arthur's Court (theatre)
|
|
gptkbp:historical_context
|
post-Civil War America
19th century America
|
|
gptkbp:historical_figures
|
gptkb:Guinevere
gptkb:the_Knights_of_the_Round_Table
gptkb:King_Arthur
gptkb:Merlin
gptkb:Sir_Lancelot
|
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gptkbp:historical_source
|
real historical figures
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|
https://www.w3.org/2000/01/rdf-schema#label
|
A Connecticut Yankee in King Arthur's Court
|
|
gptkbp:influence
|
gptkb:science_fiction
American literature
satirical works
steampunk genre
inspired other time travel stories
|
|
gptkbp:influence_on
|
gptkb:fantasy_literature
gptkb:science_fiction
gptkb:popular_culture
science fiction genre
|
|
gptkbp:influenced
|
gptkb:science_fiction
subsequent time travel stories
comedic interpretations of history
modern fantasy narratives
musicals about historical figures
|
|
gptkbp:influenced_by
|
gptkb:The_Adventures_of_Tom_Sawyer
gptkb:science_fiction
gptkb:satire
gptkb:historical_fiction
American culture
American literature
|
|
gptkbp:inspiration
|
gptkb:Mark_Twain
gptkb:Back_to_the_Future
Mark Twain's experiences in England
Twain's experiences in Europe
The Time Machine by H. G. Wells
Mark Twain's experiences in Europe
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gptkbp:language
|
English
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|
gptkbp:legacy
|
influenced later time travel stories
|
|
gptkbp:literary_devices
|
gptkb:humor
gptkb:allegory
irony
|
|
gptkbp:literary_significance
|
considered a classic
pioneering work in American literature
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|
gptkbp:lyricist
|
gptkb:Lorenz_Hart
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gptkbp:main_character
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gptkb:Hank_Morgan
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|
gptkbp:motif
|
gptkb:technology
class struggle
cultural clash
technology vs. magic
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|
gptkbp:music_by
|
gptkb:Oliver_Wallace
gptkb:Miklos_Rozsa
|
|
gptkbp:narrative_style
|
gptkb:satire
first-person
satirical
|
|
gptkbp:network
|
gptkb:CBS
|
|
gptkbp:notable_production
|
1955 film adaptation
National tour 2000
Broadway revival 1980
West End production 1951
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|
gptkbp:notable_quote
|
“ The best way to cheer yourself up is to try to cheer somebody else up.”
“ It is better to keep your mouth shut and appear stupid than to open it and remove all doubt.”
' A lie can travel halfway around the world while the truth is putting on its shoes.'
' The best way to cheer yourself up is to try to cheer somebody else up.'
' The difference between the right word and the almost right word is the difference between lightning and a lightning bug.'
' History doesn't repeat itself, but it often rhymes.'
' It is better to keep your mouth shut and appear stupid than to open it and remove all doubt.'
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|
gptkbp:notable_song
|
gptkb:The_Yankee_Doodle_Boy
gptkb:The_Man_Who_Broke_the_Bank_at_Monte_Carlo
|
|
gptkbp:number_of_episodes
|
gptkb:1
gptkb:5
|
|
gptkbp:number_of_seasons
|
gptkb:1
|
|
gptkbp:original_language
|
English
|
|
gptkbp:plot
|
A man from the 19th century travels back to King Arthur's time.
A man from the 19th century travels back to the time of King Arthur.
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|
gptkbp:premiere_location
|
gptkb:New_York_City
|
|
gptkbp:premiered_on
|
gptkb:1927
1943
|
|
gptkbp:produced_by
|
gptkb:Walt_Disney_Productions
various theatre companies
|
|
gptkbp:producer
|
gptkb:David_Butler
|
|
gptkbp:protagonist
|
gptkb:Hank_Morgan
|
|
gptkbp:published
|
1889
|
|
gptkbp:published_by
|
gptkb:Charles_L._Webster_and_Company
|
|
gptkbp:published_in
|
1889
book form
|
|
gptkbp:publisher
|
gptkb:Charles_L._Webster_and_Company
|
|
gptkbp:release_date
|
1989-11-26
July 1949
|
|
gptkbp:released
|
gptkb:1949
|
|
gptkbp:revival
|
gptkb:2001
|
|
gptkbp:runtime
|
76 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Ted_Sears
|
|
gptkbp:set_in
|
Arthurian England
|
|
gptkbp:setting
|
Arthurian England
|
|
gptkbp:setting_time
|
6th century
|
|
gptkbp:social_commentary
|
critique of chivalry
critique of romanticism
|
|
gptkbp:starring
|
gptkb:James_Earl_Jones
gptkb:Kirk_Douglas
gptkb:Sandy_Dennis
|
|
gptkbp:symbolism
|
the clash of cultures
|
|
gptkbp:theater
|
gptkb:Broadway
|
|
gptkbp:theme
|
time travel
|
|
gptkbp:themes
|
gptkb:determinism
free will
|
|
gptkbp:voice_actor
|
gptkb:Ruth_Buzzi
gptkb:Jim_Piddock
gptkb:Don_Knotts
gptkb:Thurl_Ravenscroft
gptkb:Hal_Smith
gptkb:Tress_Mac_Neille
gptkb:Mel_Blanc
gptkb:Bing_Crosby
gptkb:Dan_Castellaneta
gptkb:Nancy_Cartwright
gptkb:Pat_Carroll
gptkb:Paul_Winchell
gptkb:Don_Messick
gptkb:June_Foray
gptkb:Daws_Butler
gptkb:Richard_Kind
gptkb:Earl_Boen
gptkb:George_Lindsey
gptkb:Jim_Backus
gptkb:Paul_Frees
gptkb:Cecil_B._De_Mille
gptkb:Martha_Wentworth
gptkb:Joan_Gardner
gptkb:Robert_Benchley
gptkb:John_Mc_Leish
|
|
gptkbp:writer
|
gptkb:Mark_Twain
|
|
gptkbp:written_by
|
gptkb:Mark_Twain
|
|
gptkbp:bfsParent
|
gptkb:My_Heart_Stood_Still
gptkb:Mark_Twain
gptkb:Bing_Crosby
gptkb:Cameo
|
|
gptkbp:bfsLayer
|
4
|