Statements (78)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:novel
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Where'd_You_Go,_Bernadette?
|
| gptkbp:adaptation |
gptkb:theatre
gptkb:film |
| gptkbp:author |
gptkb:John_Kennedy_Toole
|
| gptkbp:awards |
gptkb:award
|
| gptkbp:character |
gptkb:The_Man_in_the_Green_Suit
gptkb:Burma_Jones gptkb:Dr._P._J._O'_Malley gptkb:Leonce_Gonzales gptkb:Myna_Bird gptkb:The_Old_Man gptkb:The_Police_Officer gptkb:The_Waiter gptkb:The_Waitress gptkb:The_Old_Woman gptkb:Darlene Roberta The Lawyer The Young Man The Man in the Park The Woman in the Park The Man in the Office The Man in the Restaurant The Man in the Street The Woman in the Bar The Woman in the Office The Woman in the Restaurant The Woman in the Street The Man in the Bar The Man in the Gallery The Woman in the Gallery The Man in the Museum The Man in the Store The Man in the Theater The Woman in the Museum The Woman in the Store The Woman in the Theater The Restaurant Owner The Woman in the Library The Woman in the Hospital The Man in the City The Man in the Church The Woman in the Church The Woman in the City The Man in the Library The Man in the Hospital The Bookstore Owner Ignatius's girlfriend Mrs. Reilly The Hot Dog Vendor The Man in the Court The Man in the School The Newspaper Editor The Patrolman The Streetcar Conductor The Woman in the Court The Woman in the School |
| gptkbp:critical_reception |
cult classic
widely acclaimed |
| gptkbp:genre |
gptkb:musical
|
| https://www.w3.org/2000/01/rdf-schema#label |
A Confederacy of Dunces
|
| gptkbp:influences |
gptkb:Southern_Gothic
gptkb:comic_book |
| gptkbp:inspiration |
New Orleans culture
Toole's own experiences |
| gptkbp:language |
English
|
| gptkbp:main_character |
gptkb:Ignatius_J._Reilly
|
| gptkbp:narrative_style |
third-person
|
| gptkbp:notable_quote |
" I am not a man of action, but a man of thought."
" The world is a place of great absurdity." |
| gptkbp:published_by |
gptkb:1980
|
| gptkbp:set_in |
gptkb:New_Orleans
|
| gptkbp:setting |
1970s
|
| gptkbp:themes |
loneliness
social criticism absurdity |