Statements (56)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
literary work
|
| gptkbp:adaptation |
film
|
| gptkbp:adaptedInto |
theater productions
|
| gptkbp:addresses |
gender roles
|
| gptkbp:associated_with |
the_Brazilian_modernist_movement
|
| gptkbp:author |
gptkb:Jorge_Amado
|
| gptkbp:character |
Eurico
|
| gptkbp:contains |
symbolism
|
| gptkbp:curriculum |
Brazilian_universities
|
| gptkbp:discusses |
identity
|
| gptkbp:explores |
class struggle
|
| gptkbp:features |
family dynamics
|
| gptkbp:follows |
narrative style
|
| gptkbp:genre |
novel
|
| gptkbp:has_a |
love
|
| gptkbp:hasCollection |
Jorge_Amado's_works
|
| gptkbp:hasFilm |
1980
|
| https://www.w3.org/2000/01/rdf-schema#label |
A Casa de Vidro
|
| gptkbp:influenced |
modernism
Brazilian_literature |
| gptkbp:inspiration |
real events
|
| gptkbp:is_a_celebration_of |
social commentary
|
| gptkbp:is_a_reflection_of |
Brazilian_society
cultural_landscape_of_Brazil. |
| gptkbp:is_a_subject_of |
scholarly articles
|
| gptkbp:is_available_in |
print format
audiobook format various digital platforms |
| gptkbp:is_characterized_by |
vivid imagery
|
| gptkbp:is_essential_for |
post-colonial literature
|
| gptkbp:is_featured_in |
literary festivals
|
| gptkbp:is_known_for |
emotional depth
rich character development |
| gptkbp:is_part_of |
none
|
| gptkbp:is_recognized_for |
literary awards
narrative complexity |
| gptkbp:is_referenced_in |
other literary works
|
| gptkbp:is_studied_in |
academic studies
literature courses |
| gptkbp:is_used_in |
reading lists
literary critiques other_novels_by_Jorge_Amado |
| gptkbp:language |
Portuguese
|
| gptkbp:notable_winners |
yes
|
| gptkbp:notableEvent |
regionalism in literature
|
| gptkbp:notableFor |
cultural impact
|
| gptkbp:publishedBy |
gptkb:Companhia_das_Letras
1952 |
| gptkbp:related_to |
gptkb:Bahia
|
| gptkbp:setting |
gptkb:Brazil
the 20th century |
| gptkbp:suitableFor |
classic
|
| gptkbp:theme |
social issues
|
| gptkbp:translatedInto |
English
multiple languages |
| gptkbp:wrote |
first person
|