|
gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:adapted_for_radio
|
yes
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:audience
|
thought-provoking
|
|
gptkbp:character_arc
|
redemption
|
|
gptkbp:character_development
|
gptkb:complex
dynamic
|
|
gptkbp:character_motivation
|
self-discovery
|
|
gptkbp:character_relationships
|
strained
internal struggle
external pressures
|
|
gptkbp:conflict
|
personal vs societal expectations
|
|
gptkbp:critical_analysis
|
examined in literature courses
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:explores
|
mental health
|
|
gptkbp:film_editing
|
yes
|
|
gptkbp:first_performance
|
gptkb:The_Lyric_Theatre
|
|
gptkbp:follows
|
family dynamics
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:has_adaptation
|
gptkb:multiple_times
|
|
gptkbp:historical_context
|
post-World War I
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
A Bill of Divorcement
|
|
gptkbp:influenced
|
modern drama
subsequent playwrights
|
|
gptkbp:influenced_by
|
gptkb:Ibsen
realism
social changes
|
|
gptkbp:language
|
English
|
|
gptkbp:notable_character
|
gptkb:Dr._John
gptkb:Margaret
gptkb:Hugh
|
|
gptkbp:notable_production
|
gptkb:Royal_National_Theatre
|
|
gptkbp:notable_quote
|
" The law is a great deal more than a mere formality."
|
|
gptkbp:original_language
|
English
|
|
gptkbp:performance
|
revived frequently
|
|
gptkbp:plot
|
three acts
|
|
gptkbp:plot_twist
|
unexpected revelations
|
|
gptkbp:premiered_on
|
gptkb:1921
|
|
gptkbp:published_by
|
gptkb:Samuel_French
|
|
gptkbp:published_in
|
gptkb:1921
|
|
gptkbp:release_year
|
gptkb:1932
|
|
gptkbp:setting
|
gptkb:London
|
|
gptkbp:style
|
naturalism
|
|
gptkbp:symbolism
|
gptkb:marriage
freedom
societal norms
|
|
gptkbp:thematic_element
|
gptkb:betrayal
gptkb:loyalty
gptkb:identity
redemption
forgiveness
|
|
gptkbp:themes
|
gptkb:marriage
|
|
gptkbp:written_by
|
gptkb:Cecil_Lewis
|
|
gptkbp:bfsParent
|
gptkb:Katharine_Hepburn
gptkb:John_Barrymore
gptkb:Katherine_Hepburn
|
|
gptkbp:bfsLayer
|
5
|