Statements (58)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:Ailee's_first_studio_album
|
| gptkbp:adaptation |
gptkb:ballet
gptkb:opera gptkb:film stage play. television. musical. |
| gptkbp:character |
gptkb:Nils_Krogstad
gptkb:Dr._Rank gptkb:Torvald_Helmer gptkb:Kristine_Linde |
| gptkbp:critical_reception |
controversial
groundbreaking |
| gptkbp:cultural_impact |
gptkb:philosopher
theatrical conventions |
| gptkbp:cultural_significance |
exploration of identity.
influence on modern storytelling. reflection of societal norms. critique of marriage. symbol of women's rights. |
| gptkbp:filming_location |
gptkb:Royal_Theatre,_Copenhagen
|
| gptkbp:first_performance |
1879
|
| gptkbp:genre |
gptkb:High_School
|
| https://www.w3.org/2000/01/rdf-schema#label |
A's Doll House
|
| gptkbp:influence |
modern drama
feminist literature. subsequent playwrights. |
| gptkbp:inspiration |
19th-century gender norms.
Ibsen's own life. |
| gptkbp:language |
gptkb:Politician
|
| gptkbp:main_character |
gptkb:Nora_Helmer
|
| gptkbp:notable_performance |
2019 Broadway revival.
1973 television adaptation. 1989 film adaptation. 2006 film adaptation. 2012 stage adaptation. |
| gptkbp:notable_quote |
I have been your doll-wife.
I must stand on my own two feet. The most wonderful thing of all? |
| gptkbp:official_language |
gptkb:Politician
|
| gptkbp:plot |
Nora's decision to leave.
Nora's realization of her marriage. Nora's secret debt. Nora's struggle for independence. Torvald's reaction to Nora's actions. |
| gptkbp:published_by |
1879
|
| gptkbp:setting |
gptkb:Norway
|
| gptkbp:thematic_element |
identity.
self-discovery. sacrifice. deception. social expectations. |
| gptkbp:theme |
gptkb:award
gender roles individual vs society |
| gptkbp:written_by |
gptkb:Henrik_Ibsen
|