Statements (49)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:art_exhibition
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:2018_Whitney_Biennial
|
| gptkbp:art_style |
American artists
|
| gptkbp:attendance |
approximately 65,000
|
| gptkbp:closing_date |
June 11, 2017
|
| gptkbp:critical_reception |
mixed reviews
|
| gptkbp:curator |
gptkb:Margo_Jefferson
gptkb:Christopher_Y._Lew |
| gptkbp:exhibition |
gptkb:art_exhibition
biennial approximately 3 months |
| gptkbp:historical_significance |
part of a long tradition of biennials
|
| https://www.w3.org/2000/01/rdf-schema#label |
2017 Whitney Biennial
|
| gptkbp:impact |
influenced contemporary art discourse
|
| gptkbp:is_featured_in |
gptkb:painting
gptkb:Photographer gptkb:art_installation gptkb:artwork gptkb:film mixed media |
| gptkbp:launch_date |
March 17, 2017
|
| gptkbp:location |
gptkb:Whitney_Museum_of_American_Art
|
| gptkbp:media_coverage |
extensive
|
| gptkbp:notable_album |
' The Future is Now' by various artists
' The American Dream' by various artists ' The New Normal' by various artists ' The Black Lives Matter' by various artists ' The Body Politic' by various artists |
| gptkbp:notable_artists |
gptkb:Julie_Mehretu
gptkb:Kerry_James_Marshall gptkb:Henry_Taylor gptkb:Titus_Kaphar Nicole Eisenman |
| gptkbp:notable_performance |
gptkb:63
|
| gptkbp:notable_work |
Henry Taylor's ' The Black Man's Burden' (2017)
Julie Mehretu's ' Mogamma' (2017) Kerry James Marshall's ' Untitled' (2017) Titus Kaphar's ' The Jerome Project' (2017) Nicole Eisenman's ' The Sinking of the Titanic' (2017) |
| gptkbp:related_event |
panel discussions
performances film screenings public programs |
| gptkbp:sponsor |
gptkb:Whitney_Museum
Foundations Various private donors |
| gptkbp:theme |
diversity in contemporary art
|
| gptkbp:year |
gptkb:2017
|