Statements (45)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:art_exhibition
|
| gptkbp:art_movement |
gptkb:church
gptkb:Minimalism gptkb:artwork Conceptual art Feminist art |
| gptkbp:attendance |
high
|
| gptkbp:curator |
gptkb:Marcia_Tucker
|
| gptkbp:exhibition |
biennial
several months |
| gptkbp:focus |
gptkb:soundtrack
|
| gptkbp:followed_by |
gptkb:1981_Whitney_Biennial
|
| https://www.w3.org/2000/01/rdf-schema#label |
1979 Whitney Biennial
|
| gptkbp:impact |
highlighted diversity in art
showcased multimedia art influenced future biennials promoted dialogue on contemporary issues encouraged experimental practices |
| gptkbp:location |
gptkb:Whitney_Museum_of_American_Art
|
| gptkbp:notable_artists |
gptkb:Cindy_Sherman
gptkb:Jasper_Johns gptkb:Richard_Serra gptkb:Jeff_Koons gptkb:David_Salle gptkb:Elizabeth_Murray gptkb:Kiki_Smith gptkb:Robert_Rauschenberg gptkb:Chuck_Close |
| gptkbp:notable_work |
The Artist is Present by Marina Abramović
The Dinner Party by Judy Chicago The Broken Column by Frida Kahlo Untitled Film Stills by Cindy Sherman Untitled by Donald Judd Falling Leaves by Kiki Smith Self-Portrait by Chuck Close The Kiss by Jeff Koons The New York Times by Robert Rauschenberg The Red Room by Elizabeth Murray The Way We Live by Richard Serra |
| gptkbp:preceded_by |
1977 Whitney Biennial
|
| gptkbp:significance |
showcased emerging artists
reflected art trends of the late 1970s |
| gptkbp:year |
gptkb:1979
|
| gptkbp:bfsParent |
gptkb:The_1980_Whitney_Biennial
|
| gptkbp:bfsLayer |
5
|