1951 exhibition at Betty Parsons Gallery
GPTKB entity
Statements (47)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:art_exhibition
|
gptkbp:art_movement |
gptkb:Abstract_Expressionism
|
gptkbp:associated_with |
New York City art scene
|
gptkbp:attendance |
gptkb:artists
critics art collectors |
gptkbp:curator |
gptkb:Betty_Parsons
|
gptkbp:duration |
several weeks
|
gptkbp:exhibition |
gptkb:exhibition
avant-garde solo and group works |
gptkbp:exhibition_theme |
gptkb:modernism
|
gptkbp:featured_in |
geometric abstraction
non-representational art large canvases color field paintings |
gptkbp:historical_context |
rise of modernism
post-World War II art movement cultural shift in America |
https://www.w3.org/2000/01/rdf-schema#label |
1951 exhibition at Betty Parsons Gallery
|
gptkbp:impact |
promoted modern art
|
gptkbp:influenced |
American art scene
|
gptkbp:legacy |
inspired new artists
influenced future exhibitions contributed to the reputation of Betty Parsons Gallery |
gptkbp:location |
gptkb:Betty_Parsons_Gallery
|
gptkbp:media_coverage |
newspapers
art magazines art critics reviews |
gptkbp:modern_relevance |
studied in art history courses
referenced in art literature influences current artists examined in exhibitions about Abstract Expressionism |
gptkbp:notable_artists |
gptkb:Barnett_Newman
gptkb:Ad_Reinhardt gptkb:Mark_Rothko gptkb:Clyfford_Still |
gptkbp:related_event |
art fairs
gallery openings New York School exhibitions |
gptkbp:reviews |
art historical significance
influential commentary positive critiques |
gptkbp:significance |
showcased Abstract Expressionist artists
|
gptkbp:year |
1951
|
gptkbp:bfsParent |
gptkb:Jackson_Pollock's_One:_Number_31,_1950
|
gptkbp:bfsLayer |
5
|