|
gptkbp:instance_of
|
gptkb:art_exhibition
|
|
gptkbp:attendance
|
approximately 100,000 visitors
|
|
gptkbp:criticism
|
gptkb:Arthur_B._Davies
gptkb:Robert_Henri
gptkb:John_Sloan
gptkb:William_Glackens
|
|
gptkbp:cultural_impact
|
encouraged avant-garde movements
shifted public perception of art
influenced American artists
sparked debates on modernism
led to the establishment of modern art institutions
|
|
gptkbp:end_date
|
1911-03-15
|
|
gptkbp:exhibition
|
modern art
|
|
gptkbp:featured_in
|
gptkb:The_Blue_Nude
gptkb:Nude_Descending_a_Staircase,_No._2
gptkb:The_Large_Bathers
gptkb:The_Red_Studio
|
|
gptkbp:historical_context
|
contemporary to the rise of modernism
held during the Armory Show era
influenced by the Parisian avant-garde
part of the early 20th-century art movements
reflected changes in European art
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
1911 International Exhibition of Modern Art
|
|
gptkbp:impact
|
controversy in the art community
|
|
gptkbp:influenced
|
American art movements
|
|
gptkbp:legacy
|
paved the way for future exhibitions
|
|
gptkbp:location
|
gptkb:New_York_City
|
|
gptkbp:movement
|
gptkb:Fauvism
gptkb:Futurism
gptkb:Cubism
gptkb:Dadaism
gptkb:Surrealism
|
|
gptkbp:notable_artists
|
gptkb:Henri_Matisse
gptkb:Marcel_Duchamp
gptkb:Pablo_Picasso
gptkb:Giorgio_de_Chirico
gptkb:Umberto_Boccioni
|
|
gptkbp:organizer
|
gptkb:Alfred_Stieglitz
|
|
gptkbp:significance
|
introduction of modern art to America
|
|
gptkbp:sponsors
|
gptkb:The_New_York_Tribune
gptkb:The_New_York_Sun
gptkb:The_New_York_Times
gptkb:The_New_York_Evening_Post
gptkb:The_New_York_Herald
|
|
gptkbp:start_date
|
1911-02-17
|
|
gptkbp:venue
|
gptkb:291_Gallery
|
|
gptkbp:bfsParent
|
gptkb:Egon_Schiele
|
|
gptkbp:bfsLayer
|
5
|