|
gptkbp:instance_of
|
gptkb:musical_composition
|
|
gptkbp:artistic_influence
|
impressionism
|
|
gptkbp:audience
|
well-received
|
|
gptkbp:character
|
lyrical
|
|
gptkbp:competitors
|
gptkb:Chopin_Competition
|
|
gptkbp:composed_of
|
public domain
|
|
gptkbp:composer
|
gptkb:Frédéric_Chopin
|
|
gptkbp:cultural_impact
|
widely performed
|
|
gptkbp:dedication
|
gptkb:none
|
|
gptkbp:difficulty
|
intermediate
|
|
gptkbp:duration
|
approximately 3 minutes
|
|
gptkbp:first_published
|
1833
|
|
gptkbp:focuses_on
|
piano teaching
|
|
gptkbp:form
|
solo piano
|
|
gptkbp:genre
|
gptkb:musician
Étude
|
|
gptkbp:historical_context
|
gptkb:19th_century
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Étude No. 7 in C major, Op. 10, No. 7
|
|
gptkbp:influenced_artists
|
gptkb:Claude_Debussy
classical music
|
|
gptkbp:influences
|
Romantic music
|
|
gptkbp:inspiration
|
Chopin's love life
|
|
gptkbp:is_a_venue_for
|
concert halls
|
|
gptkbp:key
|
C major
|
|
gptkbp:music_style
|
melody
harmony
dynamics
articulation
rhythm
phrasing
often analyzed
|
|
gptkbp:notable_artists
|
gptkb:Lang_Lang
|
|
gptkbp:notable_performance
|
gptkb:Vladimir_Ashkenazy
|
|
gptkbp:notable_recordings
|
gptkb:Martha_Argerich
|
|
gptkbp:number
|
gptkb:No._7
|
|
gptkbp:opus_number
|
Op. 10
|
|
gptkbp:performance
|
gptkb:language
pedaling
rubato
fingerings
|
|
gptkbp:record_label
|
various
|
|
gptkbp:related_works
|
gptkb:Études,_Op._10
|
|
gptkbp:signature_move
|
4/4
no sharps or flats
|
|
gptkbp:speed
|
gptkb:Andante
|
|
gptkbp:style
|
Romantic
|
|
gptkbp:bfsParent
|
gptkb:Étude_No._3_in_E_major,_Op._10,_No._3
|
|
gptkbp:bfsLayer
|
6
|