Triple
T9624271
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Excavation |
E232418
|
entity |
| Predicate | partOf |
P40
|
FINISHED |
| Object | Willem de Kooning’s early 1950s oeuvre |
E211786
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Willem de Kooning’s early 1950s oeuvre | Statement: [Excavation, partOf, Willem de Kooning’s early 1950s oeuvre]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Willem de Kooning’s early 1950s oeuvre Context triple: [Excavation, partOf, Willem de Kooning’s early 1950s oeuvre]
-
A.
Women, the New York School, and Other True Abstractions
Women, the New York School, and Other True Abstractions is a critical study by Maggie Nelson that examines the overlooked contributions of women poets and artists associated with the New York School.
-
B.
International Klein Blue monochromes
International Klein Blue monochromes are a series of radical, single-color blue paintings by Yves Klein that exemplify his exploration of pure color, immateriality, and the viewer’s sensory experience.
-
C.
Op Art
Op Art is an abstract art movement that emerged in the 1960s, characterized by the use of geometric forms and optical illusions to create a sense of movement, vibration, or warping in the viewer’s perception.
-
D.
Erased de Kooning Drawing
chosen
Erased de Kooning Drawing is a landmark 1953 conceptual artwork by Robert Rauschenberg in which he erased a drawing by Willem de Kooning to explore authorship, creation, and destruction in art.
-
E.
After Mondrian
After Mondrian is a conceptual art series by Sherrie Levine in which she re-photographs and appropriates Piet Mondrian’s works to critique authorship and originality in modern art.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69ca848793ec8190a93a12383a754dc0 |
completed | March 30, 2026, 2:11 p.m. |
| NER | Named-entity recognition | batch_69cd9ad76b148190a38fadee06594db4 |
completed | April 1, 2026, 10:23 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69d1797ab3d4819088da04fd5d00386b |
completed | April 4, 2026, 8:50 p.m. |
Created at: March 30, 2026, 8:10 p.m.