Triple
T9532150
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Women of Algiers in their Apartment |
E229920
|
entity |
| Predicate | originalTitle |
P65
|
FINISHED |
| Object | Femmes d’Alger dans leur appartement |
E516051
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Femmes d’Alger dans leur appartement | Statement: [Women of Algiers in their Apartment, originalTitle, Femmes d’Alger dans leur appartement]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Femmes d’Alger dans leur appartement Context triple: [Women of Algiers in their Apartment, originalTitle, Femmes d’Alger dans leur appartement]
-
A.
Femmes d’Alger dans leur appartement
chosen
Femmes d’Alger dans leur appartement is a landmark collection of short stories by Assia Djebar that explores the lives, voices, and historical silencing of Algerian women in the postcolonial era.
-
B.
Portrait d’une Femme
"Portrait d’une Femme" is a modernist poem by Ezra Pound that offers a psychologically complex portrayal of a cosmopolitan woman and her fragmented cultural identity.
-
C.
L’Après-midi d’un faune
L’Après-midi d’un faune is a symbolist poem by Stéphane Mallarmé that portrays the dreamy, sensual reverie of a faun reflecting on his encounters with nymphs.
-
D.
La Femme à la Robe Verte
La Femme à la Robe Verte is an 1866 oil painting by Claude Monet portraying his first wife, Camille, in an elegant green dress, notable for its early Impressionist style and striking use of color and light.
-
E.
Les Demoiselles du village
Les Demoiselles du village is a mid-19th-century painting by Gustave Courbet depicting three well-dressed young women encountering a peasant girl in a rural landscape, emblematic of Realist social commentary.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69ca8479934c81908006d0e6e970ae05 |
completed | March 30, 2026, 2:11 p.m. |
| NER | Named-entity recognition | batch_69cd98b5651881908241b040f123c6a8 |
completed | April 1, 2026, 10:14 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69d14c4033c08190a71535b63d86f4df |
completed | April 4, 2026, 5:37 p.m. |
Created at: March 30, 2026, 8 p.m.