Triple
T8998089
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | M. C. Escher |
E214968
|
entity |
| Predicate | notableWork |
P4
|
FINISHED |
| Object | Circle Limit II |
E771376
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Circle Limit II | Statement: [M. C. Escher, notableWork, Circle Limit II]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Circle Limit II Context triple: [M. C. Escher, notableWork, Circle Limit II]
-
A.
Circle Limit I
chosen
Circle Limit I is a 1958 woodcut print by M. C. Escher that depicts an infinite tessellation of fish within a hyperbolic, circular geometry.
-
B.
Black Square
Black Square is a groundbreaking abstract painting by Kazimir Malevich that became an icon of the Suprematist movement and a symbol of radical artistic minimalism in the early 20th century.
-
C.
Mandala
Mandala is a 1983 electronic music album by Japanese composer Kitaro, known for its atmospheric, synthesizer-driven soundscapes characteristic of his New Age style.
-
D.
Imaginary Landscape No. 4
Imaginary Landscape No. 4 is an experimental 1951 composition by John Cage for 12 radios and 24 performers that explores chance operations and indeterminacy in music.
-
E.
Op Art
Op Art is an abstract art movement that emerged in the 1960s, characterized by the use of geometric forms and optical illusions to create a sense of movement, vibration, or warping in the viewer’s perception.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69ca83a05c608190bdfdbdb25e994b39 |
completed | March 30, 2026, 2:07 p.m. |
| NER | Named-entity recognition | batch_69cc68e23734819083a98f4ff0942479 |
completed | April 1, 2026, 12:37 a.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69cfdb9531748190bd710e0b386b2cbe |
completed | April 3, 2026, 3:24 p.m. |
Created at: March 30, 2026, 7:05 p.m.