Triple
T8042662
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | The Treachery of Images |
E187473
|
entity |
| Predicate | title |
P38
|
FINISHED |
| Object | The Treachery of Images |
E187473
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: The Treachery of Images | Statement: [The Treachery of Images, title, The Treachery of Images]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Treachery of Images Context triple: [The Treachery of Images, title, The Treachery of Images]
-
A.
The Treachery of Images
chosen
The Treachery of Images is a famous 1929 painting by René Magritte that depicts a realistic pipe alongside the caption “Ceci n’est pas une pipe,” challenging viewers’ assumptions about representation and reality.
-
B.
The Image as Burden
The Image as Burden is a renowned painting by contemporary artist Marlene Dumas that explores themes of intimacy, vulnerability, and the emotional weight of representation.
-
C.
The Isms of Art
The Isms of Art is a seminal avant-garde art book by El Lissitzky that surveys and visually interprets the major modern art movements of the early 20th century.
-
D.
Promise of the Real
Promise of the Real is an American rock band led by Lukas Nelson, known for its roots-rock sound and frequent collaborations and touring with Neil Young.
-
E.
The Dialectics of Seeing: Walter Benjamin and the Arcades Project
The Dialectics of Seeing: Walter Benjamin and the Arcades Project is a major work of critical theory in which Susan Buck-Morss reconstructs and interprets Walter Benjamin’s unfinished Arcades Project to explore modernity, urban experience, and historical materialism.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69ca82b00cb48190b59a300f70e97bd7 |
completed | March 30, 2026, 2:03 p.m. |
| NER | Named-entity recognition | batch_69cb3f49dcfc81909ac7c93e19ad05c2 |
completed | March 31, 2026, 3:28 a.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69cc570cfad08190a8ed35ef2a47f497 |
completed | March 31, 2026, 11:21 p.m. |
Created at: March 30, 2026, 5:23 p.m.