Triple
T7675554
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Yves Klein |
E173851
|
entity |
| Predicate | movement |
P81
|
FINISHED |
| Object | Nouveau réalisme |
E85713
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Nouveau réalisme | Statement: [Yves Klein, movement, Nouveau réalisme]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Nouveau réalisme Context triple: [Yves Klein, movement, Nouveau réalisme]
-
A.
Nouveau Réalisme
chosen
Nouveau Réalisme was a 1960s French art movement that embraced everyday objects, urban detritus, and performative actions to challenge traditional notions of art and representation.
-
B.
Le Cinéma
Le Cinéma is a movie theater within Tokyo’s Bunkamura cultural complex, known for screening a curated selection of domestic and international films.
-
C.
La Révolution surréaliste
La Révolution surréaliste was an influential early Surrealist magazine published in Paris in the 1920s that served as a key platform for the movement’s manifestos, artworks, and experimental writings.
-
D.
Les Règles de l’art
Les Règles de l’art is a major sociological study by Pierre Bourdieu that analyzes the social conditions of literary production and the emergence of the autonomous artistic field in 19th-century France.
-
E.
Pierrot le Fou
Pierrot le Fou is a 1965 French New Wave crime-romance film by Jean-Luc Godard, known for its vibrant visual style, fragmented narrative, and exploration of existential themes.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69c6995703e0819081de77361b602e78 |
completed | March 27, 2026, 2:51 p.m. |
| NER | Named-entity recognition | batch_69c701e333f08190a9ee87080c6d0118 |
completed | March 27, 2026, 10:17 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69c8a23ba62881908fcdcf2ffcf6d41d |
completed | March 29, 2026, 3:53 a.m. |
Created at: March 27, 2026, 4:01 p.m.