Triple
T564335
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Vision After the Sermon |
E13521
|
entity |
| Predicate | title |
P38
|
FINISHED |
| Object | La Vision après le sermon |
E13521
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: La Vision après le sermon | Statement: [Vision After the Sermon, title, La Vision après le sermon]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: La Vision après le sermon Context triple: [Vision After the Sermon, title, La Vision après le sermon]
-
A.
Vision After the Sermon
chosen
Vision After the Sermon is an 1888 painting by Paul Gauguin that depicts Breton women witnessing Jacob wrestling with an angel, exemplifying his bold use of color and symbolic, Post-Impressionist style.
-
B.
L’Œuvre
L’Œuvre is a naturalist novel by Émile Zola that portrays the struggles of an ambitious painter in Paris whose obsessive pursuit of artistic perfection leads to personal and professional ruin.
-
C.
Book of Signs
The Book of Signs is the first major section of the Gospel of John, characterized by a series of Jesus’ miraculous works that reveal his identity and mission.
-
D.
Supper at Emmaus
Supper at Emmaus is a renowned Baroque painting by Caravaggio depicting the moment the resurrected Christ is recognized by his disciples during a meal, celebrated for its dramatic lighting and realistic detail.
-
E.
The Yellow Christ
The Yellow Christ is an 1889 post-Impressionist painting by Paul Gauguin that depicts a stylized crucifixion scene in vivid yellow tones, exemplifying his Symbolist and Synthetist approach.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69a4933edcf08190b35ecfd6014caee6 |
completed | March 1, 2026, 7:27 p.m. |
| NER | Named-entity recognition | batch_69a49a735b2881908293ad21ad41cdd6 |
completed | March 1, 2026, 7:58 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69a4ff4a68e0819091efedcd8c620d01 |
completed | March 2, 2026, 3:08 a.m. |
Created at: March 1, 2026, 7:32 p.m.