Triple
T5074107
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Pierre Huyghe |
E114349
|
entity |
| Predicate | movement |
P81
|
FINISHED |
| Object | relational aesthetics |
E463681
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: relational aesthetics | Statement: [Pierre Huyghe, movement, relational aesthetics]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: relational aesthetics Context triple: [Pierre Huyghe, movement, relational aesthetics]
-
A.
relational aesthetics
chosen
Relational aesthetics is an art theory and practice, popularized in the 1990s, that focuses on creating social interactions and shared experiences as the primary medium of the artwork.
-
B.
Felix Gonzalez-Torres Estate
The Felix Gonzalez-Torres Estate is the body that manages and preserves the legacy, artworks, and intellectual property of the influential Cuban-American conceptual artist Felix Gonzalez-Torres.
-
C.
The Collectors at the Venice Biennale
The Collectors at the Venice Biennale is a conceptual, narrative-driven exhibition by artist duo Elmgreen & Dragset that transformed national pavilions into fictional domestic settings to explore themes of identity, desire, and the art market.
-
D.
Women, the New York School, and Other True Abstractions
Women, the New York School, and Other True Abstractions is a critical study by Maggie Nelson that examines the overlooked contributions of women poets and artists associated with the New York School.
-
E.
The Treachery of Images
The Treachery of Images is a famous 1929 painting by René Magritte that depicts a realistic pipe alongside the caption “Ceci n’est pas une pipe,” challenging viewers’ assumptions about representation and reality.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69bd443cf28c8190ad371d603563dbdd |
completed | March 20, 2026, 12:57 p.m. |
| NER | Named-entity recognition | batch_69bd74d0be1c819081b26235fe602a30 |
completed | March 20, 2026, 4:24 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69beb11b3f3c819089f09178f17940c5 |
completed | March 21, 2026, 2:54 p.m. |
Created at: March 20, 2026, 1:39 p.m.