Triple
T440209
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Moss Hart |
E10096
|
entity |
| Predicate | notableWork |
P4
|
FINISHED |
| Object | I Am Listening (original play) |
E55171
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: I Am Listening (original play) | Statement: [Moss Hart, notableWork, I Am Listening (original play)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: I Am Listening (original play) Context triple: [Moss Hart, notableWork, I Am Listening (original play)]
-
A.
I Am Listening (play)
chosen
"I Am Listening" is a lesser-known stage play by acclaimed American playwright and director Moss Hart, best known for works like "You Can't Take It with You" and "The Man Who Came to Dinner."
-
B.
I Am Listening
"I Am Listening" is a work by acclaimed American playwright and director Moss Hart, known for his influential contributions to 20th-century theater.
-
C.
Strange Interlude
Strange Interlude is a landmark experimental play by Eugene O’Neill, renowned for its use of interior monologues to explore the psychological lives and moral conflicts of its characters.
-
D.
The Music Lesson
The Music Lesson is a 17th-century genre painting by Dutch artist Johannes Vermeer, depicting an intimate scene of music-making in a meticulously rendered domestic interior.
-
E.
The Cradle Will Rock
The Cradle Will Rock is a 1937 pro-labor musical by Marc Blitzstein, famous for its controversial, government-censored premiere and its association with Orson Welles and the American leftist theater movement.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69a2e8465ef481909655c681b01e2986 |
completed | Feb. 28, 2026, 1:06 p.m. |
| NER | Named-entity recognition | batch_69a2ef2977888190a0590b2c1bd2f5da |
completed | Feb. 28, 2026, 1:35 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69a43e71ec4c8190ac1b80c01e0e83ad |
completed | March 1, 2026, 1:26 p.m. |
Created at: Feb. 28, 2026, 1:11 p.m.