Triple
T37202274
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Liebster Jesu, hör mein Flehen, BWV Anh. 63 (attributed) |
E922071
|
entity |
| Predicate | instanceOf |
P0
|
FINISHED |
| Object | German Baroque composition |
C46455
|
CONCEPT FINISHED |
How this triple was built (1 step)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
CD
Concept disambiguation
gpt-5-mini-2025-08-07
Target class: German Baroque composition Context triple: [Liebster Jesu, hör mein Flehen, BWV Anh. 63 (attributed), instanceOf, German Baroque composition]
-
A.
German Baroque church music
chosen
German Baroque church music is a sacred musical tradition of 17th- and early 18th-century Germany that blends intricate counterpoint, expressive chorales, and liturgical texts to convey theological depth and emotional devotion within Lutheran and Catholic worship.
-
B.
French Baroque composition
A French Baroque composition is a musical work from 17th- to early 18th-century France characterized by ornate ornamentation, dance-based forms, clear rhythmic patterns, and a refined balance between expressive melody and courtly elegance.
-
C.
English Baroque composer
An English Baroque composer is a musician from England active roughly between 1600 and 1750 who created vocal and instrumental works characterized by ornate melodies, expressive harmonies, and often sacred or courtly functions within the Baroque style.
-
D.
Baroque music
Baroque music is a style of Western art music from roughly 1600 to 1750 characterized by ornate musical ornamentation, contrast, expressive melodies, and the development of tonality and forms like the concerto and fugue.
-
E.
Baroque musician
A Baroque musician is a performer or composer active in the Baroque period (c. 1600–1750), characterized by ornate musical expression, use of basso continuo, and adherence to stylistic conventions of contrast, ornamentation, and affect.
- F. None of above.
Provenance (1 batch)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69f76ea4849481909b4a3073efb0114c |
completed | May 3, 2026, 3:49 p.m. |
Created at: May 3, 2026, 4:15 p.m.