Triple
T2971146
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Die Lehre von den Tonempfindungen |
E80282
|
entity |
| Predicate | originalTitle |
P65
|
FINISHED |
| Object | Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik |
E80282
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik | Statement: [Die Lehre von den Tonempfindungen, originalTitle, Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik Context triple: [Die Lehre von den Tonempfindungen, originalTitle, Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik]
-
A.
Die Lehre von den Tonempfindungen
chosen
Die Lehre von den Tonempfindungen is Hermann von Helmholtz’s foundational 19th-century treatise on the physiological and psychological basis of musical tone and acoustics.
-
B.
The Science of Musical Sound
The Science of Musical Sound is a book by engineer and acoustics researcher John R. Pierce that explains the physical and perceptual principles underlying how music and sound are produced, transmitted, and heard.
-
C.
The Aesthetics of Music
The Aesthetics of Music is a philosophical work by Roger Scruton that explores the nature, meaning, and value of music within the broader tradition of aesthetics.
-
D.
Writings on psychoacoustics and computer music
Writings on psychoacoustics and computer music is a collection of influential works by John R. Pierce exploring the perception of sound and its application in electronic and computer-generated music.
-
E.
The Theory of Sound
The Theory of Sound is Lord Rayleigh’s landmark two-volume treatise that systematically established the mathematical and experimental foundations of acoustics.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69ad8b14ffe881908ffed62f9595c867 |
completed | March 8, 2026, 2:43 p.m. |
| NER | Named-entity recognition | batch_69ad9973ed6881908f11f49ca2e171df |
completed | March 8, 2026, 3:44 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69b0fca6491c81909edaf6f495f17761 |
completed | March 11, 2026, 5:24 a.m. |
Created at: March 8, 2026, 2:58 p.m.