Triple
T23472297
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Lygia Pimentel Lins |
E570160
|
entity |
| Predicate | influenced |
P9
|
FINISHED |
| Object | relational aesthetics |
—
|
NE NERFINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: relational aesthetics | Statement: [Lygia Pimentel Lins, influenced, relational aesthetics]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: relational aesthetics Context triple: [Lygia Pimentel Lins, influenced, relational aesthetics]
-
A.
relational aesthetics
chosen
Relational aesthetics is an art theory and practice, popularized in the 1990s, that focuses on creating social interactions and shared experiences as the primary medium of the artwork.
-
B.
Art and Objecthood
Art and Objecthood is Michael Fried’s influential 1967 essay that critiques Minimalist “literalist” art for its theatricality and defends modernist painting and sculpture’s emphasis on presentness and aesthetic absorption.
-
C.
Felix Gonzalez-Torres Estate
The Felix Gonzalez-Torres Estate is the body that manages and preserves the legacy, artworks, and intellectual property of the influential Cuban-American conceptual artist Felix Gonzalez-Torres.
-
D.
Op Art
Op Art is an abstract art movement that emerged in the 1960s, characterized by the use of geometric forms and optical illusions to create a sense of movement, vibration, or warping in the viewer’s perception.
-
E.
The Collectors at the Venice Biennale
The Collectors at the Venice Biennale is a conceptual, narrative-driven exhibition by artist duo Elmgreen & Dragset that transformed national pavilions into fictional domestic settings to explore themes of identity, desire, and the art market.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e245af8a88819084f2704f6d265a92 |
completed | April 17, 2026, 2:37 p.m. |
| NER | Named-entity recognition | batch_69f1a70244208190bbd8f58ac16d4399 |
completed | April 29, 2026, 6:36 a.m. |
Created at: April 17, 2026, 5:55 p.m.