Triple
T23284585
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Random Access Memories |
E588951
|
entity |
| Predicate | previousWork |
P9710
|
FINISHED |
| Object | Human After All |
—
|
NE NERFINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Human After All | Statement: [Random Access Memories, previousWork, Human After All]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Human After All Context triple: [Random Access Memories, previousWork, Human After All]
-
A.
Human After All
chosen
Human After All is a 2005 studio album by French electronic music duo Daft Punk, known for its raw, minimalist sound and exploration of themes about technology and humanity.
-
B.
After All (The Dead)
"After All (The Dead)" is a dark, heavy track by Black Sabbath from their 1992 album *Dehumanizer*, showcasing the band's return to a more aggressive, doom-laden sound with Ronnie James Dio on vocals.
-
C.
Afterwards
"Afterwards" is a song by Van Morrison from his acclaimed 1968 album *Astral Weeks*, known for its poetic lyrics and jazz-influenced folk sound.
-
D.
The Aftermath
The Aftermath is a 2019 British-German drama film set in post-World War II Hamburg, starring Keira Knightley, Alexander Skarsgård, and Jason Clarke, that explores grief, reconciliation, and forbidden romance amid the ruins of war.
-
E.
The Aftermath
"The Aftermath" is a track from Danny Elfman's darkly whimsical orchestral score for the 1988 fantasy-comedy film Beetlejuice.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e25d16e2c08190a291de254703129e |
completed | April 17, 2026, 4:17 p.m. |
| NER | Named-entity recognition | batch_69f196454b4c8190a797537ce8912241 |
completed | April 29, 2026, 5:25 a.m. |
Created at: April 17, 2026, 4:59 p.m.