Triple

T22520216
Position Surface form Disambiguated ID Type / Status
Subject Matthäus-Passion E556752 entity
Predicate relatedWork P37 FINISHED
Object Lukas-Passion (Heinrich Schütz) NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Lukas-Passion (Heinrich Schütz) | Statement: [Matthäus-Passion, relatedWork, Lukas-Passion (Heinrich Schütz)]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Lukas-Passion (Heinrich Schütz)
Context triple: [Matthäus-Passion, relatedWork, Lukas-Passion (Heinrich Schütz)]
  • A. Johannes-Passion (Heinrich Schütz)
    The Johannes-Passion by Heinrich Schütz is a 17th-century German Baroque setting of the Passion according to the Gospel of John, noted for its austere, text-focused style and unaccompanied choral writing.
  • B. St Mark Passion, BWV 247
    St Mark Passion, BWV 247 is a lost sacred oratorio by Johann Sebastian Bach, originally composed for Good Friday vespers in Leipzig and surviving today only in its libretto and reconstructed versions.
  • C. Brockes-Passion
    The Brockes-Passion is a Baroque oratorio setting of Barthold Heinrich Brockes’s Passion libretto, best known through Georg Philipp Telemann’s dramatic and expressive musical version.
  • D. Matthäus-Passion
    Matthäus-Passion is a Baroque musical setting of the Passion according to St. Matthew, composed by Heinrich Schütz and regarded as one of his significant sacred works.
  • E. St John Passion
    The St John Passion is a sacred oratorio by Johann Sebastian Bach that dramatically sets the Gospel of John’s account of Christ’s crucifixion to music for choir, soloists, and orchestra.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: Lukas-Passion (Heinrich Schütz)
Target entity description: The Lukas-Passion by Heinrich Schütz is a 17th-century German Baroque setting of the Passion according to St. Luke, noted for its austere, unaccompanied choral style and expressive biblical narration.
  • A. Johannes-Passion (Heinrich Schütz)
    The Johannes-Passion by Heinrich Schütz is a 17th-century German Baroque setting of the Passion according to the Gospel of John, noted for its austere, text-focused style and unaccompanied choral writing.
  • B. St Mark Passion, BWV 247
    St Mark Passion, BWV 247 is a lost sacred oratorio by Johann Sebastian Bach, originally composed for Good Friday vespers in Leipzig and surviving today only in its libretto and reconstructed versions.
  • C. Brockes-Passion
    The Brockes-Passion is a Baroque oratorio setting of Barthold Heinrich Brockes’s Passion libretto, best known through Georg Philipp Telemann’s dramatic and expressive musical version.
  • D. Matthäus-Passion
    Matthäus-Passion is a Baroque musical setting of the Passion according to St. Matthew, composed by Heinrich Schütz and regarded as one of his significant sacred works.
  • E. St John Passion
    The St John Passion is a sacred oratorio by Johann Sebastian Bach that dramatically sets the Gospel of John’s account of Christ’s crucifixion to music for choir, soloists, and orchestra.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69e11e5657e881909f16ca58352c50da completed April 16, 2026, 5:37 p.m.
NER Named-entity recognition batch_69f15e31f43c8190899f5e35b150fe85 completed April 29, 2026, 1:26 a.m.
Created at: April 16, 2026, 8:50 p.m.