Triple

T22148200
Position Surface form Disambiguated ID Type / Status
Subject Vincent d’Indy E547344 entity
Predicate notableWork P4 FINISHED
Object Quatre-vingts chorals, Op. 28 NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Quatre-vingts chorals, Op. 28 | Statement: [Vincent d’Indy, notableWork, Quatre-vingts chorals, Op. 28]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Quatre-vingts chorals, Op. 28
Context triple: [Vincent d’Indy, notableWork, Quatre-vingts chorals, Op. 28]
  • A. Symphonie-Choral, Op. 69
    Symphonie-Choral, Op. 69 is a large-scale, late-Romantic organ symphony by French composer Charles Tournemire, reflecting his rich, mystical and harmonically adventurous style.
  • B. La chanson d’Ève, Op. 95
    La chanson d’Ève, Op. 95 is a song cycle for voice and piano by Gabriel Fauré, setting symbolist poetry that reflects his late, refined harmonic style.
  • C. Mass for Five Voices, Op. 9
    Mass for Five Voices, Op. 9 is a mid-20th-century choral mass setting by British composer Lennox Berkeley, noted for its clear, lyrical style and modern yet accessible harmonic language.
  • D. La bonne chanson, Op. 61
    La bonne chanson, Op. 61 is a song cycle by Gabriel Fauré, composed for voice and piano (later with chamber ensemble) on poems by Paul Verlaine and regarded as one of his most refined and innovative vocal works.
  • E. Mendelssohn Lobgesang
    Mendelssohn's "Lobgesang" (Hymn of Praise), often classified as his Symphony No. 2, is a large-scale choral-symphonic work that combines orchestral movements with vocal solos and chorus to set biblical texts in a celebratory, sacred context.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: Quatre-vingts chorals, Op. 28
Target entity description: Quatre-vingts chorals, Op. 28 is a large collection of organ chorales by French composer Vincent d’Indy, reflecting his interest in liturgical and contrapuntal writing.
  • A. Symphonie-Choral, Op. 69
    Symphonie-Choral, Op. 69 is a large-scale, late-Romantic organ symphony by French composer Charles Tournemire, reflecting his rich, mystical and harmonically adventurous style.
  • B. La chanson d’Ève, Op. 95
    La chanson d’Ève, Op. 95 is a song cycle for voice and piano by Gabriel Fauré, setting symbolist poetry that reflects his late, refined harmonic style.
  • C. Mass for Five Voices, Op. 9
    Mass for Five Voices, Op. 9 is a mid-20th-century choral mass setting by British composer Lennox Berkeley, noted for its clear, lyrical style and modern yet accessible harmonic language.
  • D. La bonne chanson, Op. 61
    La bonne chanson, Op. 61 is a song cycle by Gabriel Fauré, composed for voice and piano (later with chamber ensemble) on poems by Paul Verlaine and regarded as one of his most refined and innovative vocal works.
  • E. Mendelssohn Lobgesang
    Mendelssohn's "Lobgesang" (Hymn of Praise), often classified as his Symphony No. 2, is a large-scale choral-symphonic work that combines orchestral movements with vocal solos and chorus to set biblical texts in a celebratory, sacred context.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69e11e3b52088190ad5df386d01eb2fb completed April 16, 2026, 5:36 p.m.
NER Named-entity recognition batch_69f129f209688190afea1f275c922c73 completed April 28, 2026, 9:43 p.m.
Created at: April 16, 2026, 8:33 p.m.