Triple
T22148200
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Vincent d’Indy |
E547344
|
entity |
| Predicate | notableWork |
P4
|
FINISHED |
| Object | Quatre-vingts chorals, Op. 28 |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Quatre-vingts chorals, Op. 28 | Statement: [Vincent d’Indy, notableWork, Quatre-vingts chorals, Op. 28]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Quatre-vingts chorals, Op. 28 Context triple: [Vincent d’Indy, notableWork, Quatre-vingts chorals, Op. 28]
-
A.
Symphonie-Choral, Op. 69
Symphonie-Choral, Op. 69 is a large-scale, late-Romantic organ symphony by French composer Charles Tournemire, reflecting his rich, mystical and harmonically adventurous style.
-
B.
La chanson d’Ève, Op. 95
La chanson d’Ève, Op. 95 is a song cycle for voice and piano by Gabriel Fauré, setting symbolist poetry that reflects his late, refined harmonic style.
-
C.
Mass for Five Voices, Op. 9
Mass for Five Voices, Op. 9 is a mid-20th-century choral mass setting by British composer Lennox Berkeley, noted for its clear, lyrical style and modern yet accessible harmonic language.
-
D.
La bonne chanson, Op. 61
La bonne chanson, Op. 61 is a song cycle by Gabriel Fauré, composed for voice and piano (later with chamber ensemble) on poems by Paul Verlaine and regarded as one of his most refined and innovative vocal works.
-
E.
Mendelssohn Lobgesang
Mendelssohn's "Lobgesang" (Hymn of Praise), often classified as his Symphony No. 2, is a large-scale choral-symphonic work that combines orchestral movements with vocal solos and chorus to set biblical texts in a celebratory, sacred context.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Quatre-vingts chorals, Op. 28 Target entity description: Quatre-vingts chorals, Op. 28 is a large collection of organ chorales by French composer Vincent d’Indy, reflecting his interest in liturgical and contrapuntal writing.
-
A.
Symphonie-Choral, Op. 69
Symphonie-Choral, Op. 69 is a large-scale, late-Romantic organ symphony by French composer Charles Tournemire, reflecting his rich, mystical and harmonically adventurous style.
-
B.
La chanson d’Ève, Op. 95
La chanson d’Ève, Op. 95 is a song cycle for voice and piano by Gabriel Fauré, setting symbolist poetry that reflects his late, refined harmonic style.
-
C.
Mass for Five Voices, Op. 9
Mass for Five Voices, Op. 9 is a mid-20th-century choral mass setting by British composer Lennox Berkeley, noted for its clear, lyrical style and modern yet accessible harmonic language.
-
D.
La bonne chanson, Op. 61
La bonne chanson, Op. 61 is a song cycle by Gabriel Fauré, composed for voice and piano (later with chamber ensemble) on poems by Paul Verlaine and regarded as one of his most refined and innovative vocal works.
-
E.
Mendelssohn Lobgesang
Mendelssohn's "Lobgesang" (Hymn of Praise), often classified as his Symphony No. 2, is a large-scale choral-symphonic work that combines orchestral movements with vocal solos and chorus to set biblical texts in a celebratory, sacred context.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e11e3b52088190ad5df386d01eb2fb |
completed | April 16, 2026, 5:36 p.m. |
| NER | Named-entity recognition | batch_69f129f209688190afea1f275c922c73 |
completed | April 28, 2026, 9:43 p.m. |
Created at: April 16, 2026, 8:33 p.m.