Triple
T21776395
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Resolution and Hyperspace |
E537592
|
entity |
| Predicate | partOfWork |
P35
|
FINISHED |
| Object | Alien (original motion picture score) |
—
|
NE NERFINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Alien (original motion picture score) | Statement: [Resolution and Hyperspace, partOfWork, Alien (original motion picture score)]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Alien (original motion picture score) Context triple: [Resolution and Hyperspace, partOfWork, Alien (original motion picture score)]
-
A.
Alien (1979 film score)
chosen
Alien (1979 film score) is Jerry Goldsmith’s atmospheric and suspenseful orchestral soundtrack for Ridley Scott’s science-fiction horror film Alien, renowned for its eerie textures and tension-building themes.
-
B.
Aliens (film score)
Aliens (film score) is James Horner’s intense, suspense-driven orchestral soundtrack for James Cameron’s 1986 science fiction film "Aliens," renowned for its blend of atmospheric tension and explosive action cues.
-
C.
Close Encounters of the Third Kind film score
The "Close Encounters of the Third Kind" film score is John Williams’s landmark, thematically rich orchestral soundtrack renowned for its innovative use of a five-note motif to communicate with extraterrestrials.
-
D.
Alien vs. Predator (film score)
Alien vs. Predator (film score) is the orchestral soundtrack composed by Harald Kloser for the 2004 science fiction crossover film Alien vs. Predator.
-
E.
Blade Runner (film score)
Blade Runner (film score) is Vangelis’s influential, atmospheric electronic soundtrack for the 1982 science fiction film Blade Runner, renowned for its moody synth textures and enduring impact on film music.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e0c470759c819094a215757113562b |
completed | April 16, 2026, 11:13 a.m. |
| NER | Named-entity recognition | batch_69f046291d808190b5111a8d4819909f |
completed | April 28, 2026, 5:31 a.m. |
Created at: April 16, 2026, 6:51 p.m.