Triple
T21608795
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Olga Rozanova |
E533244
|
entity |
| Predicate | notableWork |
P4
|
FINISHED |
| Object | Suprematist Composition |
—
|
NE NERFINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Suprematist Composition | Statement: [Olga Rozanova, notableWork, Suprematist Composition]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Suprematist Composition Context triple: [Olga Rozanova, notableWork, Suprematist Composition]
-
A.
Suprematist Composition
chosen
Suprematist Composition is an abstract geometric painting by Kazimir Malevich that exemplifies the radical non-objective style of the Suprematism movement.
-
B.
Composition X (final work in Kandinsky’s Composition series)
Composition X is Wassily Kandinsky’s last and one of his most abstract large-scale paintings in the influential “Composition” series, exemplifying his mature non-objective style.
-
C.
Imaginary Landscape No. 1
Imaginary Landscape No. 1 is an early experimental composition by John Cage that pioneered the use of electronic sounds and unconventional instruments in modern music.
-
D.
Imaginary Landscape series
The Imaginary Landscape series is a group of experimental electronic and percussion works by composer John Cage that explore chance operations, unconventional sound sources, and early forms of live electronic music.
-
E.
Imaginary Landscape No. 5
Imaginary Landscape No. 5 is a 1952 experimental composition by John Cage that uses recorded jazz materials and chance procedures to create a collage-like soundscape.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e0c46411108190bba0d4176dffc9f3 |
completed | April 16, 2026, 11:13 a.m. |
| NER | Named-entity recognition | batch_69ef17e7005c81908cfa86358b8dbef1 |
completed | April 27, 2026, 8:01 a.m. |
Created at: April 16, 2026, 6:33 p.m.