Triple

T21499355
Position Surface form Disambiguated ID Type / Status
Subject Roman Ingarden E530435 entity
Predicate notableWork P4 FINISHED
Object The Cognition of the Literary Work of Art NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: The Cognition of the Literary Work of Art | Statement: [Roman Ingarden, notableWork, The Cognition of the Literary Work of Art]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: The Cognition of the Literary Work of Art
Context triple: [Roman Ingarden, notableWork, The Cognition of the Literary Work of Art]
  • A. The Origin of the Work of Art
    The Origin of the Work of Art is a seminal essay by Martin Heidegger that explores the nature of art, truth, and being through an analysis of the artwork, the artist, and the world that emerges from their interplay.
  • B. The Aesthetic Relations of Art to Reality
    The Aesthetic Relations of Art to Reality is a philosophical treatise by Nikolai Chernyshevsky that argues for a realist, socially grounded understanding of art and its connection to everyday life.
  • C. The Ideology of the Aesthetic
    The Ideology of the Aesthetic is a critical study by Terry Eagleton that examines how aesthetic theory from the Enlightenment to modernity is bound up with ideology, politics, and the formation of modern subjectivity.
  • D. The Nature and Aim of Fiction
    The Nature and Aim of Fiction is an influential essay by Flannery O’Connor that explores what fiction is, how it works, and what purposes it serves in the writer’s and reader’s experience.
  • E. The Meaning of Art
    The Meaning of Art is a seminal 1931 book by British art critic Herbert Read that explores the nature, purpose, and evolution of art across cultures and history.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: The Cognition of the Literary Work of Art
Target entity description: The Cognition of the Literary Work of Art is a philosophical treatise by Roman Ingarden that analyzes how readers understand and experience literary works through phenomenological aesthetics.
  • A. The Origin of the Work of Art
    The Origin of the Work of Art is a seminal essay by Martin Heidegger that explores the nature of art, truth, and being through an analysis of the artwork, the artist, and the world that emerges from their interplay.
  • B. The Aesthetic Relations of Art to Reality
    The Aesthetic Relations of Art to Reality is a philosophical treatise by Nikolai Chernyshevsky that argues for a realist, socially grounded understanding of art and its connection to everyday life.
  • C. The Ideology of the Aesthetic
    The Ideology of the Aesthetic is a critical study by Terry Eagleton that examines how aesthetic theory from the Enlightenment to modernity is bound up with ideology, politics, and the formation of modern subjectivity.
  • D. The Nature and Aim of Fiction
    The Nature and Aim of Fiction is an influential essay by Flannery O’Connor that explores what fiction is, how it works, and what purposes it serves in the writer’s and reader’s experience.
  • E. The Meaning of Art
    The Meaning of Art is a seminal 1931 book by British art critic Herbert Read that explores the nature, purpose, and evolution of art across cultures and history.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69e0c45bd15481909fba5910765cdda2 completed April 16, 2026, 11:13 a.m.
NER Named-entity recognition batch_69e9ea5ae154819090299773b373b921 completed April 23, 2026, 9:46 a.m.
Created at: April 16, 2026, 6:24 p.m.