Triple
T21217870
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Salon de 1846 |
E522882
|
entity |
| Predicate | relatedWork |
P37
|
FINISHED |
| Object | Salon de 1845 |
—
|
NE NERFINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Salon de 1845 | Statement: [Salon de 1846, relatedWork, Salon de 1845]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Salon de 1845 Context triple: [Salon de 1846, relatedWork, Salon de 1845]
-
A.
Salon de 1845
chosen
Salon de 1845 is a critical art review text by Charles Baudelaire, discussing and evaluating works shown at the 1845 Paris Salon.
-
B.
Salon de 1846
Salon de 1846 is an influential art criticism essay by Charles Baudelaire, in which he reviews the Paris Salon of 1846 and develops key ideas about modern art and aesthetics.
-
C.
Salon de 1859
Salon de 1859 was a major 19th-century Paris art exhibition that showcased contemporary works and played a key role in the development and public reception of modern French painting.
-
D.
Salon of 1864
The Salon of 1864 was an official Paris art exhibition that showcased contemporary works and played a key role in shaping mid-19th-century French artistic trends and reputations.
-
E.
Salon of 1865
The Salon of 1865 was a pivotal Paris art exhibition remembered for debuting Édouard Manet’s controversial works and intensifying the clash between academic tradition and emerging modernist painting.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e0b511ed84819099b449b4a111085c |
completed | April 16, 2026, 10:08 a.m. |
| NER | Named-entity recognition | batch_69e7347613308190a1c9f4ea51591d4b |
completed | April 21, 2026, 8:25 a.m. |
Created at: April 16, 2026, 3:42 p.m.