Triple
T21142996
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Salon de 1845 |
E520978
|
entity |
| Predicate | discussesEvent |
P13178
|
FINISHED |
| Object | Paris Salon of 1845 |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Paris Salon of 1845 | Statement: [Salon de 1845, discussesEvent, Paris Salon of 1845]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Paris Salon of 1845 Context triple: [Salon de 1845, discussesEvent, Paris Salon of 1845]
-
A.
Paris Salon of 1819
The Paris Salon of 1819 was the official French art exhibition where Théodore Géricault’s groundbreaking and controversial painting "The Raft of the Medusa" was first publicly displayed.
-
B.
Paris Salon of 1884
The Paris Salon of 1884 was the official annual art exhibition of the French Académie des Beaux-Arts in Paris, serving as a major showcase for contemporary painting and sculpture in the late 19th century.
-
C.
Paris Salon of 1882
The Paris Salon of 1882 was the official annual art exhibition of the French Académie des Beaux-Arts in Paris, showcasing contemporary works by leading and emerging artists of the time.
-
D.
Paris Salon of 1863
The Paris Salon of 1863 was a landmark French art exhibition best known for the controversial "Salon des Refusés," where works rejected by the official jury—such as Manet’s "Le Déjeuner sur l’herbe"—helped catalyze the rise of modern art.
-
E.
Exposition Universelle of 1855
The Exposition Universelle of 1855 was a major world's fair held in Paris that showcased industrial, artistic, and technological achievements of the mid-19th century, reinforcing France’s cultural and economic prestige.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Paris Salon of 1845 Target entity description: The Paris Salon of 1845 was a major annual French art exhibition in Paris that gained particular historical significance through Charles Baudelaire’s influential critical review of its paintings and artistic trends.
-
A.
Paris Salon of 1819
The Paris Salon of 1819 was the official French art exhibition where Théodore Géricault’s groundbreaking and controversial painting "The Raft of the Medusa" was first publicly displayed.
-
B.
Paris Salon of 1884
The Paris Salon of 1884 was the official annual art exhibition of the French Académie des Beaux-Arts in Paris, serving as a major showcase for contemporary painting and sculpture in the late 19th century.
-
C.
Paris Salon of 1882
The Paris Salon of 1882 was the official annual art exhibition of the French Académie des Beaux-Arts in Paris, showcasing contemporary works by leading and emerging artists of the time.
-
D.
Paris Salon of 1863
The Paris Salon of 1863 was a landmark French art exhibition best known for the controversial "Salon des Refusés," where works rejected by the official jury—such as Manet’s "Le Déjeuner sur l’herbe"—helped catalyze the rise of modern art.
-
E.
Exposition Universelle of 1855
The Exposition Universelle of 1855 was a major world's fair held in Paris that showcased industrial, artistic, and technological achievements of the mid-19th century, reinforcing France’s cultural and economic prestige.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e0b50c6a848190a4e525a77a319b8a |
completed | April 16, 2026, 10:08 a.m. |
| NER | Named-entity recognition | batch_69e723fad02c8190a8e9fb82f0491642 |
completed | April 21, 2026, 7:15 a.m. |
Created at: April 16, 2026, 2:57 p.m.