Triple
T2107112
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Lev Kuleshov |
E42418
|
entity |
| Predicate | wrote |
P2831
|
FINISHED |
| Object | The Principles of Montage |
E40648
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: The Principles of Montage | Statement: [Lev Kuleshov, wrote, The Principles of Montage]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Principles of Montage Context triple: [Lev Kuleshov, wrote, The Principles of Montage]
-
A.
Soviet montage school
chosen
The Soviet montage school was an influential early 20th-century film movement in the Soviet Union that emphasized dynamic editing and the collision of images to create meaning and emotional impact, shaping the theory and practice of cinema worldwide.
-
B.
Man with a Movie Camera
Man with a Movie Camera is a 1929 silent experimental documentary film by Dziga Vertov, celebrated for its innovative cinematic techniques and influential role in film history.
-
C.
Kino: A New Art
"Kino: A New Art" is a seminal theoretical work by Soviet filmmaker Lev Kuleshov that helped define early film theory and the artistic principles of cinema.
-
D.
Le Cinéma
Le Cinéma is a movie theater within Tokyo’s Bunkamura cultural complex, known for screening a curated selection of domestic and international films.
-
E.
The Film Sense
The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69a8871040f08190aac2e2d0ab6b47ad |
completed | March 4, 2026, 7:25 p.m. |
| NER | Named-entity recognition | batch_69abbadf12b88190acc513d8512777b2 |
completed | March 7, 2026, 5:42 a.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69ae58ca5bc88190abc61e3a6140f668 |
completed | March 9, 2026, 5:21 a.m. |
Created at: March 4, 2026, 7:43 p.m.