Triple
T20967313
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Apelles |
E516399
|
entity |
| Predicate | subjectOf |
P38
|
FINISHED |
| Object | Sandro Botticelli's painting The Calumny of Apelles |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Sandro Botticelli's painting The Calumny of Apelles | Statement: [Apelles, subjectOf, Sandro Botticelli's painting The Calumny of Apelles]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Sandro Botticelli's painting The Calumny of Apelles Context triple: [Apelles, subjectOf, Sandro Botticelli's painting The Calumny of Apelles]
-
A.
Raphael’s Galatea fresco
Raphael’s Galatea fresco is a celebrated High Renaissance wall painting in the Villa Farnesina in Rome, depicting the sea nymph Galatea in a dynamic mythological seascape.
-
B.
Michelangelo’s "The Torment of Saint Anthony"
Michelangelo’s "The Torment of Saint Anthony" is an early Renaissance painting depicting the Christian saint beset by demons, notable as one of Michelangelo’s first known works and for its vivid, dramatic detail.
-
C.
Sandro Botticelli's "The Birth of Venus"
Sandro Botticelli's "The Birth of Venus" is a renowned Italian Renaissance painting depicting the goddess Venus emerging from the sea on a shell, celebrated for its idealized beauty and mythological symbolism.
-
D.
Lady with a Unicorn by Raphael
"Lady with a Unicorn" is a Renaissance portrait painting by Raphael depicting a young woman holding a unicorn, celebrated for its refined composition and enigmatic symbolism.
-
E.
Pontormo’s painting The Visitation
Pontormo’s painting *The Visitation* is a Mannerist masterpiece depicting the meeting of the Virgin Mary and Elizabeth in an elongated, emotionally charged style characterized by vivid colors and complex spatial composition.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Sandro Botticelli's painting The Calumny of Apelles Target entity description: Sandro Botticelli's painting "The Calumny of Apelles" is a late 15th-century allegorical work depicting a complex scene of slander and injustice inspired by a lost painting described by the ancient Greek artist Apelles.
-
A.
Raphael’s Galatea fresco
Raphael’s Galatea fresco is a celebrated High Renaissance wall painting in the Villa Farnesina in Rome, depicting the sea nymph Galatea in a dynamic mythological seascape.
-
B.
Michelangelo’s "The Torment of Saint Anthony"
Michelangelo’s "The Torment of Saint Anthony" is an early Renaissance painting depicting the Christian saint beset by demons, notable as one of Michelangelo’s first known works and for its vivid, dramatic detail.
-
C.
Sandro Botticelli's "The Birth of Venus"
Sandro Botticelli's "The Birth of Venus" is a renowned Italian Renaissance painting depicting the goddess Venus emerging from the sea on a shell, celebrated for its idealized beauty and mythological symbolism.
-
D.
Lady with a Unicorn by Raphael
"Lady with a Unicorn" is a Renaissance portrait painting by Raphael depicting a young woman holding a unicorn, celebrated for its refined composition and enigmatic symbolism.
-
E.
Pontormo’s painting The Visitation
Pontormo’s painting *The Visitation* is a Mannerist masterpiece depicting the meeting of the Virgin Mary and Elizabeth in an elongated, emotionally charged style characterized by vivid colors and complex spatial composition.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e0b4fde6c48190af1398e7e734629e |
completed | April 16, 2026, 10:07 a.m. |
| NER | Named-entity recognition | batch_69e6fb9d6b548190af7214ad2468cfbf |
completed | April 21, 2026, 4:22 a.m. |
Created at: April 16, 2026, 1:33 p.m.