Triple

T20953742
Position Surface form Disambiguated ID Type / Status
Subject Poems: North & South—A Cold Spring E516043 entity
Predicate hasPart P35 FINISHED
Object poem "Varick Street" NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: poem "Varick Street" | Statement: [Poems: North & South—A Cold Spring, hasPart, poem "Varick Street"]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: poem "Varick Street"
Context triple: [Poems: North & South—A Cold Spring, hasPart, poem "Varick Street"]
  • A. poem "From Fifth Avenue Up"
    "From Fifth Avenue Up" is a poem by Djuna Barnes, featured in her early modernist collection The Book of Repulsive Women, that reflects her distinctive, experimental style and darkly ironic urban imagery.
  • B. poem "I Went into the Maverick Bar"
    "I Went into the Maverick Bar" is a reflective poem by Gary Snyder that explores themes of counterculture, identity, and the tension between modern American life and ecological, spiritual values.
  • C. Anne Sexton’s poem "45 Mercy Street"
    Anne Sexton’s poem "45 Mercy Street" is a confessional, introspective work in which the speaker obsessively searches for an elusive, possibly imaginary address that symbolizes a lost sense of home, identity, and emotional refuge.
  • D. poem "District and Circle"
    The poem "District and Circle" is a reflective work by Seamus Heaney that evokes a journey on the London Underground to explore memory, history, and the everyday urban experience.
  • E. poem "In the Store"
    "In the Store" is a poem by Yevgeny Yevtushenko that, like his better-known "Babi Yar," critiques Soviet society and was used as the text for one of the movements of Shostakovich’s Symphony No. 13.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07
Target entity: poem "Varick Street"
Target entity description: "Varick Street" is a poem by Elizabeth Bishop, included in her collection *Poems: North & South—A Cold Spring*, that reflects her precise, observational style and nuanced emotional tone.
  • A. poem "From Fifth Avenue Up"
    "From Fifth Avenue Up" is a poem by Djuna Barnes, featured in her early modernist collection The Book of Repulsive Women, that reflects her distinctive, experimental style and darkly ironic urban imagery.
  • B. poem "I Went into the Maverick Bar"
    "I Went into the Maverick Bar" is a reflective poem by Gary Snyder that explores themes of counterculture, identity, and the tension between modern American life and ecological, spiritual values.
  • C. Anne Sexton’s poem "45 Mercy Street"
    Anne Sexton’s poem "45 Mercy Street" is a confessional, introspective work in which the speaker obsessively searches for an elusive, possibly imaginary address that symbolizes a lost sense of home, identity, and emotional refuge.
  • D. poem "District and Circle"
    The poem "District and Circle" is a reflective work by Seamus Heaney that evokes a journey on the London Underground to explore memory, history, and the everyday urban experience.
  • E. poem "In the Store"
    "In the Store" is a poem by Yevgeny Yevtushenko that, like his better-known "Babi Yar," critiques Soviet society and was used as the text for one of the movements of Shostakovich’s Symphony No. 13.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69e0b4fcd678819087a304291f14330a completed April 16, 2026, 10:07 a.m.
NER Named-entity recognition batch_69e6fae154a481909f235165a46d0910 completed April 21, 2026, 4:19 a.m.
Created at: April 16, 2026, 1:28 p.m.