Triple
T20797544
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Rambo (2008 film score) |
E511949
|
entity |
| Predicate | influencedBy |
P9
|
FINISHED |
| Object | Jerry Goldsmith’s Rambo scores |
—
|
NE NERFINISHED |
How this triple was built (3 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Jerry Goldsmith’s Rambo scores | Statement: [Rambo (2008 film score), influencedBy, Jerry Goldsmith’s Rambo scores]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Jerry Goldsmith’s Rambo scores Context triple: [Rambo (2008 film score), influencedBy, Jerry Goldsmith’s Rambo scores]
-
A.
Rocky Balboa (film) score
The "Rocky Balboa" film score is the orchestral and thematic soundtrack composed by Bill Conti for the 2006 installment of the Rocky franchise, revisiting and updating his iconic musical motifs from the earlier films.
-
B.
The Guardian (film score)
The Guardian (film score) is a dramatic orchestral and electronic soundtrack composed by Trevor Rabin for the 2006 U.S. Coast Guard rescue drama film "The Guardian."
-
C.
Close Encounters of the Third Kind film score
The "Close Encounters of the Third Kind" film score is John Williams’s landmark, thematically rich orchestral soundtrack renowned for its innovative use of a five-note motif to communicate with extraterrestrials.
-
D.
The Rock (film score)
The Rock (film score) is an action-packed orchestral soundtrack for the 1996 film "The Rock," composed by Nick Glennie-Smith (with collaborators) and known for its driving, heroic themes.
-
E.
The Shining (film score)
The Shining (film score) is the atmospheric and experimental electronic soundtrack composed by Wendy Carlos for Stanley Kubrick’s 1980 horror film The Shining.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Jerry Goldsmith’s Rambo scores Target entity description: Jerry Goldsmith’s Rambo scores are iconic, emotionally charged action film soundtracks that defined the musical identity of the Rambo franchise through their memorable themes, orchestral intensity, and blend of heroism and melancholy.
-
A.
Rocky Balboa (film) score
The "Rocky Balboa" film score is the orchestral and thematic soundtrack composed by Bill Conti for the 2006 installment of the Rocky franchise, revisiting and updating his iconic musical motifs from the earlier films.
-
B.
The Guardian (film score)
The Guardian (film score) is a dramatic orchestral and electronic soundtrack composed by Trevor Rabin for the 2006 U.S. Coast Guard rescue drama film "The Guardian."
-
C.
Close Encounters of the Third Kind film score
The "Close Encounters of the Third Kind" film score is John Williams’s landmark, thematically rich orchestral soundtrack renowned for its innovative use of a five-note motif to communicate with extraterrestrials.
-
D.
The Rock (film score)
The Rock (film score) is an action-packed orchestral soundtrack for the 1996 film "The Rock," composed by Nick Glennie-Smith (with collaborators) and known for its driving, heroic themes.
-
E.
The Shining (film score)
The Shining (film score) is the atmospheric and experimental electronic soundtrack composed by Wendy Carlos for Stanley Kubrick’s 1980 horror film The Shining.
- F. None of above. chosen
Provenance (2 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69e0b4cc69f481908e98751e697b9df4 |
completed | April 16, 2026, 10:07 a.m. |
| NER | Named-entity recognition | batch_69e6c2ae2c4c819087f620df31dc1aba |
completed | April 21, 2026, 12:19 a.m. |
Created at: April 16, 2026, 12:39 p.m.