Triple

T20266590
Position Surface form Disambiguated ID Type / Status
Subject Schillinger Society E498985 entity
Predicate basedOn P98 FINISHED
Object The Mathematical Basis of the Arts — NE NERFINISHED

How this triple was built (3 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: The Mathematical Basis of the Arts | Statement: [Schillinger Society, basedOn, The Mathematical Basis of the Arts]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07 
Target entity: The Mathematical Basis of the Arts
Context triple: [Schillinger Society, basedOn, The Mathematical Basis of the Arts]
  • A. Formalized Music: Thought and Mathematics in Composition
    Formalized Music: Thought and Mathematics in Composition is a seminal book by composer Iannis Xenakis that explores the use of mathematical and scientific principles as the basis for musical composition.
  • B. The Aesthetics of Music
    The Aesthetics of Music is a philosophical work by Roger Scruton that explores the nature, meaning, and value of music within the broader tradition of aesthetics.
  • C. The Evolution of the Art of Music
    The Evolution of the Art of Music is a historical and analytical study tracing the development of Western music from its earliest forms to the late 19th century, written by English composer and musicologist Hubert Parry.
  • D. The Mathematics of Resonant Bodies
    The Mathematics of Resonant Bodies is a contemporary percussion composition by John Luther Adams that explores complex resonances and shimmering soundscapes through innovative use of drums and other resonant instruments.
  • E. New Concepts of Artistry in Rhythm
    New Concepts of Artistry in Rhythm is a landmark 1950s jazz album by bandleader Stan Kenton that showcases his innovative, large-scale orchestral approach to modern jazz.
  • F. None of above. chosen
  • G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2 Entity disambiguation (via description) gpt-5-mini-2025-08-07 
Target entity: The Mathematical Basis of the Arts
Target entity description: The Mathematical Basis of the Arts is a theoretical work that applies mathematical principles to analyze and systematize artistic creation, particularly in music and design.
  • A. Formalized Music: Thought and Mathematics in Composition
    Formalized Music: Thought and Mathematics in Composition is a seminal book by composer Iannis Xenakis that explores the use of mathematical and scientific principles as the basis for musical composition.
  • B. The Aesthetics of Music
    The Aesthetics of Music is a philosophical work by Roger Scruton that explores the nature, meaning, and value of music within the broader tradition of aesthetics.
  • C. The Evolution of the Art of Music
    The Evolution of the Art of Music is a historical and analytical study tracing the development of Western music from its earliest forms to the late 19th century, written by English composer and musicologist Hubert Parry.
  • D. The Mathematics of Resonant Bodies
    The Mathematics of Resonant Bodies is a contemporary percussion composition by John Luther Adams that explores complex resonances and shimmering soundscapes through innovative use of drums and other resonant instruments.
  • E. New Concepts of Artistry in Rhythm
    New Concepts of Artistry in Rhythm is a landmark 1950s jazz album by bandleader Stan Kenton that showcases his innovative, large-scale orchestral approach to modern jazz.
  • F. None of above. chosen

Provenance (2 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69da6275fa6c8190952924930adee150 completed April 11, 2026, 3:02 p.m.
NER Named-entity recognition batch_69e674d001f081908910eedd262ae13a completed April 20, 2026, 6:47 p.m.
Created at: April 11, 2026, 11:42 p.m.